Mathias: Violin Sonata
Expected to ship in 1-2 weeks.
Shipping Policy- Composer: William Mathias (1934-1992)
- Instrumentation: Piano, Violin
- Work: Violin Sonata (1952)
Description
This Violin Sonata was composed in the summer of 1952 when William Mathias was a 17-year old schoolboy who'd just finished the equivalent of his A-levels at Whitland Grammar School. When he went on to Aberystwyth University in the autumn he read English, French and Philosophy but not - originally - Music! Nevertheless, he soon became a prominent figure in the University's musical life and this Sonata was the first work of his to be publicly performed there - on May 16, 1953 - when violinist Edward Bor was accompanied by the composer. It was the first work to be entered in Mathias's ‘Catalogue of Compositions' but it wasn't assigned an opus number - and became one of several student works which he later officially ‘withdrew' from performance or publication. Given that Mathias had started to compose small pieces at the age of 5, it could realistically be claimed that the Violin Sonata thus marks the conclusion of his ‘juvenilia' (an enormous store of works in all genres, now safely stored at the National Library of Wales along with all his manuscripts) and the gateway to his mature development as a composer.
The fact that he was entirely self-taught at this point makes the achievement all the more remarkable. A request to the Mathias Estate in 2008 from violinist Sara Trickey and pianist Iwan Llewelyn-Jones for permission to perform and record the Sonata led to a private run-through at London's Wigmore Hall in 2009 and thence to the second ‘premiere', at Galeri in Caernarfon on July 2, 2010 followed by a recording by these artists on the Naxos label. Although Mathias had always expressed firm views against releasing withdrawn works, it was nevertheless felt - at this distance - that even though it was not yet fully individual in voice or expression, the sheer passion and accomplishment of this music more than justified its being heard.
Rhiannon Mathias & Geraint Lewis – July 2016
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Digital Download
Digital, PDF version of the score.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
