Loggins-Hull: Agency
Expected to ship in 1-2 weeks.
- Composer: Allison Loggins-Hull
- Format: Book with Audio Access
- Instrumentation: Bassoon, Electronics
- Work: Agency (2022)
Description
for singing bassoonist and electronics
PROGRAM NOTE
Gina Cuffari first approached me about writing a piece in the fall of 2020, during the Covid-19 lockdown. She expressed to me how even though her professional life consisted primarily of classical bassoon playing, she wanted to incorporate more singing into her work, and explore music outside of the traditional classical umbrella. As I got to know Gina, we talked a lot about the demands of being a professional instrumentalist, especially in the freelance scene of New York City, and also the challenges of managing that with motherhood, and life's many other responsibilities. We discussed how many women we knew, especially in similar positions and stages of life, who felt like they had lost themselves while being deeply focused on so many things and working to constantly perform at a high level. with so many expectations to meet, it can be very easy for us to neglect personal needs, desires, and passions. for Gina, it was her singing and the way in which she wanted to sing.
I wanted to create a piece for Gina that not only showed off her bassoon playing, but also her beautiful voice and in a musical style that leaned more towards pOp. Agency is about taking ownership of oneself, embracing individuality, and making time for self-care and self-discovery.
— Allison Loggins-Hull
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

