Australian Heritage Collection - Volume 1
Expected to ship in 2-3 weeks.
- Format: Book with Audio Access
- Instrumentation: Piano
- Binding: Spiral Bound
- ISMN:
- Size: 8.3 x 11.7 inches
Description
The composers in this volume:
Ada Maud Fitz-Stubbs (1861-1949); Mona McBurney (1862-1932); Florence Donaldson Ewart (1864-1949); Mary Bowden (1868-1950); (Annie) May Summerbelle (1868-1949); Esther Khan (1877-1962); Una Bounre (1882-1974); May Brahe (1855-1956) and Katherine (Kitty) Parker (1886-1971)
There were many examples in the early part of the twentieth century in Australia of women who were exceptional pianists and who also wrote a great number of piano works. Many of these women were labelled child prodigies and obviously showed enormous potential and musical ability. These women performed as soloists and accompanists and contributed hugely to the musical and cultural life in Melbourne, Sydney and Adelaide. They also left a large collection of compositions written for the solo keyboard.
To produce these three volumes within this Collection, Dr Jeanell Carrigan has researched and edited almost 50 works of Australian women composers, most of which have never been published. Each volume is accompanied by a CD of its works recorded by Jeanell. and biographical notes on each composer. All the composers were born between 1862 and 1915. Many of them lived for the whole of the twentieth century, and in that time experienced many changes in the way music was composed, thought about written about and performed. of course, they experienced many difficulties. To be a composer in Australia during this period was a difficult enough, and to be a woman, was short of impossible!
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Australian Heritage Collection - Volume 1
