Alvira: Canción callada
Expected to ship in about a month.
Shipping Policy- Composer: Jose Rodriguez Alvira (1954-)
- Format: Score & Set of Parts - Format guide
- Instrumentation: Piano, Oboe, Bassoon
- Work: Canción callada
Description
Cancion callada was composed in 2004 for oboe, bassoon and piano. It was transcribed in 2013 by the composer for an alternate instrumentation of soprano and baritone saxophones with piano following a request from saxophonist Wilfredo Corps.
Cancion callada is a short piece that begins with an 8-bar introduction that presents the melodic material that will later be developed. Its character and form are typical of a song as the word cancion (song) suggests. The word callada – which can be translated as quiet, but also as silent – may be enigmatic because of the explosive central section. This may be explained as a reaction to a "forced silence," another meaning of callada.
The melodic character of the piece has been subtly influenced by jazz and popular songs. Caribbean rhythms, like the clave and the montuno, as well as traditional techniques such as the canon and contrapuntal imitation are also used.
Cancion callada was premiered on October 10, 2004 at the Conservatory of Music of Puerto Rico and later recorded by Camerata Caribe, to whom it is dedicated.
The haunting, and beautiful, melodies and harmonies in this work will be a instant hit. Although the technique is not demanding, extreme sensitivity with tone and dymanics is required. Duration: 5.25 minutes.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Digital Download
Digital, PDF version of the score.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



