Winterberg: Quintett
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- Composer: Hans Winterberg (1901-1991)
- Format: Set of Parts
- Instrumentation: Piano, Violin, Horn, Clarinet I, Clarinet II
- Work: Quintett (1935)
- ISMN:
- Size: 9.3 x 12.0 inches
- Pages: 156
Description
The period around the mid-1930s was a particularly fruitful and eventful time in Hans Winterberg's life. He wrote his first important orchestral compositions and chamber music works as well as his first piano sonata. Winterberg, born in Prague in 1901, a child prodigy as a pianist and a cautious composer, finally ventured into the great forms and genres of tradition, but also experimented with unusual combinations of instruments, as in his first chamber music work, the Quintet for Violin, 2 Clarinets, Cello and Piano. The eccentric instrumentation may come as a surprise, but Winterberg chose it deliberately because the clearly delineated color spectra of the instruments suited him in his experiments with the overlapping of independent rhythmic levels. with the Quintet, Winterberg succeeded completely in amalgamating the influence of Schönberg and Berg, passed on by his teacher Zemlinsky, with the characteristics of the Bohemian-Moorish tradition passed on by Janáček. The result is music of enormous inner tension and rhythmic drive.
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
