Weber: Grand Pot-Pourri, J. 64, Op. 20
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- Composer: Carl Maria von Weber (1786-1826)
- Format: Study Score
- Instrumentation: Cello, Orchestra
- Work: Cello Concerto (Fantasie) (Grand pot-pourri), J. 64, Op. 20
- Size: 8.3 x 11.7 inches
- Pages: 82
Description
The genre of this work, "Potpourri" refers to a composition in which a hodgepodge of tunes from different sources are combined into one composition—often the tunes were not written by the composer credited with the "Potpourri." To a certain extent that is true here, for the primary theme of the fourth movement of Weber's Potpourii is taken from a harmony book written by his friend Franz Danzi. Themes from the second movement also had lives elsewhere in Weber's works. in particular several themes were appropriated for the Cello Variations from 1810, which Weber composed in less than eight hours. However, concerning the overall conception of the work, a better genre title might be Fantasie when one considers the tendency towards theme and variations in the work and the virtuosity required to perform it, having been composed for the cello virtuoso Friedrich Graff. in all this composition reflects Weber as a composer of instrumental works for virtuoso, a reputation that he earned during his life even though the operas that he wrote later would soon overshadow this reputation.
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Set of Parts
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Solo Part with Piano Reduction
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Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

