Twelve Art Songs & Spirituals
Expected to ship in 2-3 weeks.
- Composers: Margaret Bonds (1913-1972), Florence Price (1887-1953), Clarence Cameron White (1880-1960)
- Instrumentation (this edition): Piano, Medium-High Voice
- Originally for: Piano, Voice, Opera
- Work Language: English
- Size: 8.9 x 12.0 inches
Description
Margaret Bonds, Florence Price, and Clarence Cameron White all contributed vitally to the flourishing of African American song in the mid-twentieth century – yet their voices have been posthumously marginalized because of their race and, in the case of Bonds and Price, their sex. This anthology offers the first publication of nine songs and spirituals by these three composers, plus new editions of the first art song Bonds published ("Children's Sleep") and the final newly composed song from Price's remarkable series of engagements with the poetry of Paul Laurence Dunbar ("Forever," written in 1946 or 1947). Collectively, the songs here plumb the extraordinary spiritual and reflective depth of Black song – from the conscious devotional purity of Bonds's "Ave Maria" and the tender familial affection of her "Two Flowers" (submitted to the 1931 Wanamaker Competition), through Price's soul-searching celebration of peace newly gained at the end of World War II in Europe ("A Prayer in Spring"), to White's deeply felt envoicing of maternal dreams of peace and reassurance for a sleeping baby in his dialect song "Hush, Mah Honey," his intense reflection on Christian faith in "I Want Jesus to Walk with Me," and his late-in-life anticipation of death in the spiritual "I'm Going Home."
Works:
- Bonds: Ave Maria
- Bonds: Children's Sleep from A Winter Night's Dream (1956)
- Bonds: Faith in Thee, No. 3 from 3 Sacred Songs
- Bonds: Rainbow gold (1956)
- Bonds: Two Flowers
- Price: Blasé
- Price: Forever (1939)
- Price: A Prayer in Spring
- White: Bend Down, Beloved (1940)
- White: Hush, My Honey (Cradle Song)
- White: I Want Jesus to Walk with Me
- White: I'm Going Home
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

