Reger: Works for Male Choir & Women's/Children's Choir
Complete Edition Series II - Volume 10
Expected to ship in 1-2 weeks.
- Composer: Max Reger (1873-1916)
- Editors: Christopher Grafschmidt, Claudia Seidl
- Format: Full Score – Hardcover
- Instrumentation: Children's Choir, Female Choir, Male Choir
- Binding: Hardcover
- Work Language: German
- ISMN:
- Size: 10.2 x 13.4 inches
- Pages: 256
- Urtext / Critical Edition
Description
Volume 10 of the "Songs and choral Works" module contains all of Reger's compositions for a cappella male-voice and female-voice choir and (with piano accompaniment) children's choir. By far the largest number are for male-voice choir. After some initial hesitation, Reger tried his hand at arranging folk song for male voices before going on to create substantial original compositions with the collections opus 38 and, above all, opus 83, which includes a version of the so-called "Hebbel Requiem".
The works for female voices are composed in three to five parts. The three movements for one or two-part children's choir are the only pieces to feature piano accompaniment. Even if the compositions for female voices and especially children's choir can rather be categorized as ‘occasional works', they are well worth discovering.
Contents:
a. Male voice choir
- Lacrimä Christi WoO VI/5
- Five selected folk songs WoO VI/6
- Es ist nichts mit alten Weibern WoO VI/9
- Nine selected folk songs WoO VI/7
- Herzleid WoO VI/8
- Seven Male Voice Choruses, Op. 38
- Hoch lebe dies Haus WoO VIII/7
- Ten Songs, Op. 83
- An Zeppelin WoO VI/21
b. Women's choir
- Six three- and five-part songs for Passiontide and Easter WoO VI/16
- Three Songs, Op. 111b
- Three Songs, Op. 111c
c. Women's or children's choir
- Compositions, Op. 79g
d. Children's choir
- Herzenstausch, Op. 76, No. 5
- Night Thoughts WoO V/7
- The Snow WoO V/8
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Reger: Works for Male Choir & Women's/Children's Choir
