Paulus: Aria Collection - Volume 1
Arias for Soprano, Mezzo-soprano, and Alto
Expected to ship in 1-2 weeks.
- Composer: Stephen Paulus (1949-2014)
- Editor: Philip Brunelle
- Instrumentation (this edition): Piano, Voice
- Originally for: Opera
- Work Language: English
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 96
Description
Stephen Paulus was an important composer of American opera. Now, for the first time, the beloved opera arias of Stephen Paulus are now available in two volumes. This new collection has been edited by Philip Brunelle with synopses by Lauren Ishida and is suitable both for recitals as well as auditions.
- I Never Missed a Sunday from The Village Singer
- What's This? from The Village Singer
- My Name Was Smith from The Postman Always Rings Twice
- and We Can Build that Mountain from The Postman Always Rings Twice
- Can't Live with Him No More! from Summer
- I Stand Here on the Outside from Summer
- He Looks at Me from Summer
- To Our Dearly Beloved Home from Summer
- Irina's Aria from The Shoemaker
- I Shall Not Really Be Alone from Shoes for the Santo Niño
- Where Did My Baby Go? from Shoes for the Santo Niño
- Santo Niño Aria from Shoes for the Santo Niño
- Alone Again from The Woman at Otowi Crossing
- Bless You, Tranquillino from The Woman at Otowi Crossing
- I am Here Where the World Ends from The Woman at Otowi Crossing
- Six Months and Still No Word from The Woman at Otowi Crossing
- Beloved Abelard from Heloise and Abelard
Works:
- I Never Missed a Sunday from The Village Singer (1979)
- What's This? from The Village Singer (1979)
- My Name Was Smith from The Postman Always Rings Twice (1982)
- And We Can Build That Mountain from The Postman Always Rings Twice (1982)
- Can't Live With Him No More! from Summer (1999)
- I Stand Here on the Outside from Summer (1999)
- He Looks at Me from Summer (1999)
- To Our Dearly Beloved Home from Summer (1999)
- Irina's Aria from The Shoemaker (2012)
- I Shall Not Really Be Alone from Shoes for the Santo Niño (2011)
- Where Did My Baby Go? from Shoes for the Santo Niño (2011)
- Santo Niño Aria from Shoes for the Santo Niño (2011)
- Alone Again from The Woman at Otowi Crossing
- I Am Here Where the World Ends from The Woman at Otowi Crossing
- Six Months and Still No Word from The Woman at Otowi Crossing
- Beloved Abelard from Heloise and Abelard
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.





