Korngold: Posthumous Songs - Volume 2
In stock and typically ships within 1 business day.
- Composer: Erich Wolfgang Korngold (1897-1957)
- Instrumentation (this edition): Piano, Voice
- Originally for: Piano, Voice
- Work Language: German
- ISMN:
- Size: 9.1 x 11.9 inches
- Pages: 52
Description
Following the success of the first volume, Schott now presents the second volume of songs by Erich Wolfgang Korngold, published for the first time. They date from the early creative period of the 'child prodigy' and already show the extraordinary talent of the young composer. On the basis of the late Romantic musical language, he developed a totally individual sound world full of melodic breadth, refined harmony and sparkling inventiveness. Many of these marvellous songs were composed for certain events; with the operetta-like Die Gansleber im Hause Duschnitz, Korngold managed to write a real 'Viennese delicacy'. With the help of these two songbooks, singers, pianists and music lovers can, for the first time, get to know the musical beginnings of the composer who was later to become one of the most successful composers of film music in Hollywood.
Contents:
- I Nachts (1913, Siegfried Trebitsch)
- II Der innere Scharm (1914, Erich Wolfgang Korngold)
- III Ausser (1915, Erich Wolfgang Korngold)
- IV Österreichischer Soldatenabschied (1915, Erich Wolfgang Korngold)
- V Kaiserin-Zita-Hymne (1916, Baroness Hedda von Skoda)
- VI Die Gansleber im Hause Duschnitz (1919, Erich Wolfgang Korngold)
- VII Quinquaginta-Foxtrott (1922, Erich Wolfgang Korngold)
- VIII Sommer, erste Fassung (1912-13, Siegfried Trebitsch)
Works:
- Nachts (1913)
- Der innere Scharm (1914)
- Ausser (1915)
- Oesterreichischer Soldatenabschied (1915)
- Kaiserin-Zita-Hymne (1916)
- Die Gansleber im Hause Duschnitz (1919)
- Quinquaginta-Foxtrott (1922)
- Sommer (Early Version) (1913)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
