J. Strauss II: Klange der Heimath
from "Die Fledermaus"
Expected to ship in about a week.
- Composer: Johann Strauss II (1825-1899)
- Instrumentation (this edition): Soprano, Orchestra
- Originally for: Opera
- Work: Klange der Heimath from Die Fledermaus
- UPC:
Description
The comic operetta DIE FLEDERMAUS (THE BAT) by Johann Strauss II (1825-1899) is the composer's best-known operetta, though "The Waltz King" is perhaps better remembered yet for his contributions to that uniquely Habsburg Vienna dance with the infectious rhythm. Telling a farcical tale of practical jokes, masked identities, the test of true love, and other shenanigans, the original source is a play by German playwright Julius Roderich Benedix (DAS GEFÄNGNIS), which was translated into a French vaudeville play, LE RÉVEILLON by Henri Meilhac and Ludovic Halévy, which was then translated back to German by Karl Haffner, whose translation was finally used as the source for the libretto by Richard Genèe. Written following a couple of less successful efforts to enter the opera world, this light opera premiered at the Theater an der Wien in Vienna on April 5th, 1874, and remains one of the most popular in the contemporary repertoire. Posing as a Hungarian countess at a masked ball in Act 2, Rosalinde sings KLANGE DER HEIMAT (SOUNDS OF MY HOMELAND) in the style of a czàrdàs, a traditional folk dance.
Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Perc(1): Str (4.4.3.3.3 in set): Solo SOp.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
J. Strauss II: Klange der Heimath
