Gregoriana
Expected to ship in 1-2 weeks.
- Composers: Zanaida Stewart Robles (1979-), Cecilia McDowall (1951-), Sarah MacDonald (1968-), Kristina Arakelyan (1994-), Melissa Dunphy (1980-), Julie Ainscough (1957-), Amy Summers, Kerensa Briggs (1991-), Dobrinka Tabakova (1980-), Ghislaine Reece-Trapp, Grace-Evangeline Mason (1994-), Rhian Samuel (1944-)
- Editor: Anna Lapwood (1995-)
- Instrumentation: Organ
- ISMN:
- Size: 9.1 x 12.0 inches
Description
Twelve chant-based organ pieces by contemporary women composers, for liturgical and concert performance
Compiled and edited by Anna Lapwood
Embracing a project close to her heart, trailblazing organist, conductor and broadcaster Anna Lapwood has commissioned and curated a collection of outstanding original pieces by women composers. Following the example of Jeanne Demessieux's classic 12 Chorale Preludes on Gregorian Chant Themes, Gregoriana unites fresh currents of musical imagination with the timeless qualities of plainsong.
Spanning the church year from Advent through to All Souls' Day, but equally suited to liturgical use or recital programming, these works cast new light on much-loved melodies, refracting a bright spectrum of modern styles from established and emerging voices through the prism of traditional chant. with items ranging in difficulty from around Grade 5 to Grade 8 standard, Gregoriana will inspire young players especially, its breadth of idiom presenting a wide range of technical discoveries too. Notes on the individual titles, and Anna Lapwood's thoughts on performance, provide timely practical guidance. Above all, Gregoriana invites organists to explore a treasury of uniquely stimulating repertoire, while also encouraging composers to enrich it further by writing for this most magnificent of instruments.
CONTENTS
- Rorate Caeli (Melissa Dunphy)
- Flourish on Adeste Fideles (Zanaida Stewart Robles)
- Star Fantasy on Alleluia: Vidimus Stellam (Kristina Arakelyan)
- Light, Revealing (Grace-Evangeline Mason)
- Trio on Attende, Domine (Sarah MacDonald)
- Ubi Caritas (Julie Ainscough)
- Rejoice! Fantasia on Victimae Paschali Laudes (Rhian Samuel)
- Veni, Creator Spiritus (Cecilia McDowall)
- O Lux Beata Trinitas (Amy Summers)
- Prelude on Pange Lingua (Kerensa Briggs)
- Sanctus from Orbis Factor (Dobrinka Tabakova)
- in Paradisum (Ghislaine Reece-Trapp)
Works:
- Dunphy: Rorate Caeli (2021)
- Robles: Flourish on Adeste Fideles (2021)
- Arakelyan: Star Fantasy (2021)
- Mason: Light, Revealing (2021)
- MacDonald: Trio on Attende, Domine
- Ainscough: Ubi Caritas (2021)
- Samuel: Rejoice (Fantasia on "Victimae Paschali Laudes") (2021)
- McDowall: Veni, Creator Spiritus
- Summers: O Lux Beata Trinitas (2021)
- Briggs: Prelude on Pange Lingua
- Tabakova: Sanctus from Orbis Factor
- Reece-Trapp: In Paradisum
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.



