Fit in 15 Minutes
Warm-ups and Essential Exercises for Sound-oriented Piano Playing
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- Author: Ilja Scheps
- Instrumentation: Piano
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 56
Description
How to play the piano in a virtuoso, expressive and at the same time free and relaxed way? Prof. Ilja Scheps uses a selected and tried and tested repertoire to show how every piano player, whether beginner or advanced, can become a sound artist within a very short time. His sound-oriented piano playing goes beyond mere technical mastery of the instrument and emphasizes the creative and expressive power of the music. The focus is on a beautiful articulation of sound for a lively and constantly reinterpreted sound culture full of musical communication and emotional expressiveness, which can already come to fruition when warming up.
Contents:
I. Waking up the fingers – waking up the ears:
- Little exercises for the body and hands
- Sitting properly at the piano
- Rotating movements as the basis for loose wrists
- Five-finger patterns for both hands
- Dexterity in the fingers
- Scales and arpeggios
- Hanon exercise
- Czerny Studies
- Waking up the ears
II. Warm-ups using excerpts from the piano repertoire:
- Training finger dexterity and looseness in the wrists
- Scales
- Arpeggios
- Playing octaves and chords with alternating hands
- Warm-ups for the ears
- Completing warm-ups
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Fit in 15 Minutes
