Causton: As Kingfishers Catch Fire
Expected to ship in 2-3 weeks.
- Composer: Richard Causton (1971-)
- Format: Full Score
- Instrumentation: Clarinet, Flute, String Quartet (Violin I, Violin II, Viola, Cello), Harp
- Work: As Kingfishers Catch Fire (2007)
- ISBN:
- Size: 9.5 x 13.0 inches
- Pages: 33
Description
As Kingfishers Catch Fire was composed in London during the summer and autumn of 2007 and takes its title from some lines by Gerard Manley Hopkins:
As kingfishers catch fire, dragonflies dráw fláme; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell's Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves—goes itself; myself it speaks and spells, Crying Whát I do is me: for that I came.
Like the animals in the poem, I wanted to allow the instruments in my piece to be unashamedly themselves, and this conditioned the musical material: open fifths in the strings, long cantilenas in the wind, and a certain grandiosity in the writing for harp.
The piece opens with a sort of speeded-up Renaissance counterpoint for string quartet – perfect intervals and a resonant setting – and proceeds through several contrasting but linked episodes: a vertiginous solo for harp; a ‘shadow boxing' passage for harp and string quartet; distorted folk music which gives rise to fireworks in the clarinet part; frantic, strummed pizzicato; a slowly unfolding melody in the wind over string tremolos, which leads via a reprise back to a transformed, now subdued version of the opening string quartet. In the closing section all seven instruments, now united, cross a threshold into a slightly different world from which their previous music can still be glimpsed.
© Richard Causton
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
