Beethoven: Complete Songs for Voice and Piano - Volume 1
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- Composer: Ludwig van Beethoven (1770-1827)
- Editor: Helga Lühning
- Instrumentation: Piano, Voice, High Voice
- Work Language: German
- ISMN:
- Size: 9.3 x 12.2 inches
- Pages: 109
- Urtext / Critical Edition
Description
Beethoven's importance as the creator of monumental orchestral works and of substantial chamber music and solo sonatas is so great that his rich song oeuvre is often hardly even noticed. But his Lieder offer a highly entertaining repertoire in which love songs and humorous songs alternate with serious pieces of philosophical or religious subject matter. Goethe, Claudius, Herder, Lessing, Gellert and Rousseau are among the authors whose poems he set. in this way, we are offered a panorama of the waning 18th and incipient 19th centuries with a specific blend of feeling for nature, Enlightenment thought and religious sensibility. This Henle Urtext edition in two volumes, which is based on the Beethoven Complete Edition, also contains those songs which were rediscovered long after Beethoven's death and were therefore hardly known for a long time. A detailed preface on the history and source situation of Beethoven's art songs rounds off this edition.
Works:
- Schilderung eines Mädchens, WoO 107
- An einen Säugling, WoO 108
- Der freie Mann (second version), WoO 117
- 8 Songs, Op. 52
- Ich liebe dich, so wie du mich, WoO 123
- La partenza, WoO 124
- Adelaide, Op. 46
- Abschiedsgesang an Wiens Bürger, WoO 121
- Kriegslied der Österreicher, WoO 122
- Opferlied (second version), WoO 126
- Neue Liebe, neues Leben (first version), WoO 127
- La tiranna, WoO 125
- 6 Songs, Op. 48
- Lebensglück, Op. 88
- Der Wachtelschlag, WoO 129
- An die Hoffnung (first version), Op. 32
- Elegie auf den Tod eines Pudels, WoO 110
- Als die Geliebte sich trennen wollte, WoO 132
- In questa tomba oscura (second version), WoO 133
- Sehnsucht (4 versions), WoO 134
- Andenken, WoO 136
- Lied aus der Ferne/Der Jüngling in der Fremde, WoO 138
- Gesang aus der Ferne, WoO 137
- Der Liebende, WoO 139
- 6 Songs, Op. 75
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

