A Solo Book for Treble Recorder
175 pieces from 8 centuries
Expected to ship in 1-2 weeks.
- Instrumentation: Alto (Treble) Recorder
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 152
Description
A huge collection of solo pieces from the 14th-21st centuries. with a wide range of styles and moods, this volume has something for everyone. The pieces are all at a moderate level of difficulty and are suitable for intermediate to advanced players.
Contents:
- Anonymus (13. Jhd.): La manfredina
- Anonymus (13. Jhd.): La rotta della manfredina
- Anonymus (13. Jhd.): Quen a omagen da Virgen (L)
- Anonymus (13. Jhd.): Como poden (L)
- Anonymus (13. Jhd.): Saltarello (L)
- G. Bassano: Ricercata Terza
- G. Bassano: Ricercata Quarta
- A. Virgiliano: Ricercar come di sopra
- J.v. Eyck: Onse Vader in Hemelryck
- Anonymus: Woodycock
- J. Salter: Sechs Stücke aus "The gentel Companion": Tell me Thirsis
- Remeber ye Wiggs
- Mr. Fardinels ground
- Could man his wish obtain
- Old Simon the King (L)
- The Kings health (L)
- J. Barr: Zwei Stücke aus "The Delightful Companion": Fy nay preeche John (L)
- H. Purcell: Heers that will Chaling all the Faire
- Anonymus: Acht Stücke aus "The Compleat Flute Master": New Allmand (L)
- Corant (L)
- An Entrie Danc'd by Mrs. Saintloe at the Theatre (L)
- [Gigue] (L)
- R. Courtville: Solo [1. Satz]
- [2. Satz]
- [3. Satz] Adagio
- [4. Satz] Slow (L)
- A. Ariosti: "Ah traditore" aus der Oper "Vespasian"
- J. Clarke: Cibell (L)
- G. Finger: Prelude
- J.C. Pepusch: Prelude
- W. Gorton: Division
- J.D. Braun: Concerto
- G.P. Telemann: Fantasie No. 1 in C Major: Vivace
- Allegro (L)
- J.S. Bach: Brandenburgisches Concerto No. 2, BWV 1047: 1. Satz, (ohne Satzbezeichnung)
-
- Satz, Andante
-
- Satz, Allegro assai
- J.S. Bach: Rondeau
- Anonymus (18. Jhd): Capricio
- Anonymus (18. Jhd): Menuett
- Anonymus (18. Jhd): Allemande
- Ampmy,is, Anf. 18. Jhd.: Neun Stücke aus "The Flute Master": New March (L)
- Ghosts of ev'ry Occupation (L)
- Minuet (L)
- Gavot (1) (L)
- Gavot (2) (L)
- Gavot (3) (L)
- Brisk Air
- Allmand
- Spinning wheel Tune
- 13 Stücke aus "The Fifth Book of the New Flute Master": G.B. Bononcini: Airietta
- Mr. Barrett: Round O (L)
- Aire (L)
- Jigg (L)
- Sarraband
- Corrant (L)
- Jigg
- J. Peasable: Sarraband (L)
- J. Peasable: Aire (L)
- Gavot
- Sarraband (L)
- G.B.Bononcini: Gavot
- Corrant (L)
- Anonymus, 1722: Sechs Stücke aus "The compleat Musick-Master Lessons for the Flute": D. Demoivre: Rigadoon (L)
- D. Demoivre: Minuet (L)
- Mr. Cook: Ouverture
- Ayre (L)
- Running Boree (L)
- Ayre (L)
- Anonymus, London, ca. 1730: 40 Stücke aus "The Bird Fancyer's Delight": A proper Tune for a Linnet
- The Wood Lark (L)
- The Bull Finch
- Canary Bird (L)
- The Linnet (1)
- The Linnet (2) (L)
- Wood Lark (1)
- Wood Lark (2)
- Linnet (L)
- Parrot (L)
- Sky Lark (L)
- Nightingale (L)
- Canary Bird (L)
- Bull Finch (1)
- Bull Finch (2)
- Bull Finch (3) (L)
- Canary Bird
- The East India Nightingale (L)
- Bull Finch
- Linnet (L)
- Starling (L)
- Sky Lark (L)
- Bell Finch
- Sparrow
- Linnet (L)
- Canary Bird
- Trosill
- Bull Finch
- Canary Bird (1)
- Canary Bird (2)
- Starling (L)
- Bull Finch (L)
- Wood Lark
- Bull Finch
- Canary Bird
- Bull Finch
- Skie Lark (L)
- Parrot (L)
- Bull Finch (L)
- Nightingale (L)
- P.Prelleur, London, 1730: Sechs Stücke aus "The Modern Musick-Master or, The Universal Musician": A. Scarlatti: An Air in Pyrrhus and Demetrius
- G.F.Handel: A Favourite Air in the Opera of Alexander (1726): Pregi son d'un alma grande
- G. F. Handel: Lusinghe piu care (aus: "Alexander")
- G. F. Handel: A Favourite Minuet in Floridante
- Minuet (L)
- Minuet (L)
- D. Wright: Gregg's Maggot (L)
- Anonymus: Miller of Mansfield (L)
- G.F. Handel: Air
- Anonymus: Fly swiftly ye Minutes
- Airs Anglois
- G. Bingham: Air (L)
- A. van Heerde: Boree (L)
- A. v. Heerde: Boree (L)
- A. v. Heerde: Jigg (L)
- A. v. Heerde: Sarabanda (L)
- Mr. Clark: Jigg (L)
- Anonymus: Air (L)
- D. Demoivre: Suite a Minor: Allmand (L)
- Gavott (L)
- Saraband (L)
- Jigg (L)
- Bouree (L)
- Anonymus, 1750: 13 Stücke aus "The Compleat Tutor for the Flute": Anonymus: Barberini's Minuet (L)
- Anonymus: L. Cathcart's Minuet (L)
- Anonymus: Lord Mark Kerr's Minuet (L)
- Anonymus: I wish I may die if I do (L)
- Anonymus: Happy, happy, happy Pair (L)
- Anonymus: Noon-tide Air
- Anonymus: The Maiden's Resolution
- Anonymus: O would'st thou know
- F. Manfredini: Manfredini's Minuet
- Anonymus: Since Caelia's unkind
- Anonymus: The Hungarian Minuet (L)
- Anonymus: Auretti's Minuet (L)
- Anonymus: Marshall Saxe's Minuet (L)
- Sieben Stücke aus "Verschnere Rejnvaen" (1787): Bonny Kitty
- German Spa (L)
- La belle Jeanette (L)
- La nouvelle Provence (L)
- Werters Sonnet
- Never believe'en
- Bells of Abberdovey (L)
- Anonymus (18. Jhd.): Allemanda
- Anonymus (18. Jhd.): Giga
- F. Ruge: Capriccio
- J. Tacet: Prelude
- J. Wragg: Prelude
- E. Krähmer: Romanze-Andantino (L)
- E. Krähmer: Romanze
- E. Krähmer: Allegro
- E. Krähmer: Trauer-Marsch
- Musik des 20. and 21. Jahrhunderts: H. Genzmer: Interludium
- H. Genzmer: Improvisation VII
- H.U. Staeps: Presto possibile
- F. Radermacher: Greensleeves – Thema and Variationen
- H.-M. Linde: Ferne Flöte
- B. Heller: Glücklicher Moment (L)
- B. Heller: Weich (L)
- B. Heller: Luftblasen No. 1
- B. Heller: Luftblasen No. 2/Am Meer sitzen and nichts tun (L)
- B. Heller: Luftblasen No. 3
- E. Schneider: Dreamin' backwards to my former times mistress
- K:v: Steenhoven: Grand Jig / Giga Grandiosa
- X. Zimmermann: Mantra für Altblockflöte and Füße
- M.-C. Dieterich: Tag and Nacht
- N. Tarasov: Flip-Flop
- Anhang: Trillertabelle
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
A Solo Book for Treble Recorder
