Sapp: Selected Works for Piano
Expected to ship in about a week.
- Composer: Allen Sapp (1922-1999)
- Editor: Alan Green
- Instrumentation: Piano
- ISBN:
- Size: 8.9 x 12.0 inches
Description
In addition to his ten piano sonatas, Allen Sapp composed a great number of additional piano works. This edition presents nine of his most substantial compositions for solo piano spanning nearly fifty years. The volume begins with three early neoclassical works. Four Scenes in One Act is a set of four piano pieces composed in early 1943 for his fiancée, pianist Norma Bertolami, just before he began his service in the U.S. Army during World War II. Sonatina I is Sapp's first significant post-war composition, completed while stationed near Munich in late 1945. His Suite for Piano (1949) is dedicated to his teacher Aaron Copland. The next three works in this volume were composed while on sabbatical from Harvard and living in Rome in 1956–57: Seven Bagatelles, Four Impromptus, and Sonatina II. The volume concludes with his three virtuosic piano fantasies, the first written for Lily Dumont in 1960, the second inspired by Rachmaninoff and written for Elisabeth Pridonoff in 1990, and the third composed in 1992 in "Homage to Mendelssohn" and dedicated to his wife, Norma Bertolami Sapp.
Contents:
- Four Scenes in One Act
- Piano Sonatina I
- Suite for Piano
- Seven Bagatelles for Piano
- Four Impromptus for Piano
- Piano Sonatina II
- Fantasy I for Piano: "The Pursuers"
- Fantasy II for Piano: "A Piece of the Rach"
- Fantasy III for Piano: "Homage to Mendelssohn"
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
