Verdi: Messa da Requiem (arr. for chamber orchestra)
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- Composer: Giuseppe Verdi (1813-1901)
- Arranger: Joachim Linckelmann
- Format: Full Score
- Instrumentation (this edition): Chamber Orchestra
- Originally for: SATB Choir, Orchestra
- Work: Messa da Requiem
- Work Language: Latin
- ISMN:
- Size: 9.8 x 12.6 inches
- Pages: 272
Description
Verdi's Requiem is one of those works that almost every choir would like to have sung (at least) once. This arrangement for chamber orchestra means that smaller choirs and choirs with more limited space or financial means also now have the opportunity of performing this popular work.
The scoring, with seven different wind and brass instruments (flute, oboe, clarinet, bassoon, horn, trumpet, and trombone) plus strings, timpani and bass drum, guarantees a wide dynamic range and a nuanced sonority. The four offstage trumpet parts can be played either as in the original, reduced to two trumpets, or even omitted. The relevant passages in the Tuba mirum also contain ossia passages for the orchestral brass, so that they can play their parts in performance without the need for offstage trumpets.
The arrangement by Joachim Linckelmann the symphonic character is retained. All the vocal parts (soloists and chorus) are identical to the original version, so the vocal score, vocal score XL, and chorus scores of the existing Carus edition can be used by the chorus.
Arrangement for chamber orchestra
Soli SMsTB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Tr, [4 (2) Tr da lontano], Trb, Timp, Gran Cassa, 2 Vl, Va, Vc, Cb
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Verdi: Messa da Requiem (arr. for chamber orchestra)
