Tartini: Twelve Sonatas and One Pastorale
Complete Works II/1/1
Expected to ship in about a week.
Shipping Policy- Composer: Giuseppe Tartini (1692-1770)
- Editor: Juan Mariano Porta
- Format: Full Score
- Binding: Hardcover
- ISMN:
- Size: 13.0 x 10.2 inches
- Pages: 128
- Urtext / Critical Edition
Description
The "Sonata a violino e cello o cimbalo, Opera prima" – published in Amsterdam in 1734 by Michel Charles Le Cène – constitute the first authorized edition of the violin sonatas of Giuseppe Tartini. Despite their opus number, they belong fully to the composer's artistic maturity. In the preceding decade, Tartini had consolidated his reputation, secured a stable professional position, and reached the height of his technical and expressive powers.
Begun at least by 1731, the preparation of the collection also responded to the need to counter the circulation of unauthorized prints of his sonatas by offering instead a collection that fully reflected his mature style. The dedication to Girolamo Ascanio Giustiniani, his pupil and son of Venice's Procurator Ascanio, recalls a significant connection: In 1721 Giustiniani father had interceded on Tartini's behalf for the new appointment of "primo violino e capo di concerto" at the orchestra of the Basilica of Saint Anthony in Padua.
Op. I represents the most widely disseminated of Tartini's collections. It circulated throughout Europe in reprints and manuscript copies, contributing to the composer's international fame. The influence of the collection emerges in violin treatises printed in France and Germany: several sonatas – such as the "Sonata prima" (A14), the so-called "Didone abbandonata" (g10), and the "Pastorale" (A16) – became firmly established in the teaching repertoire of conservatories from the nineteenth century onward. The remainder of the collection, by contrast, was less widely known, although it displays excellent compositional quality and a remarkable technical variety.
From a formal perspective, the collection is organized into three sections implicitly corresponding to different stylistic types: the church sonatas (nos. 1–6), still linked to a style more closely bound to late Baroque polyphony and characterized by the presence of a fugue in the second movement; the chamber sonatas (nos. 7–12), in which the new melodic style emerges clearly, often enriched by movements marked "affettuoso" or "cantabile," symptoms of a modern lyricism; and finally the "Pastorale", probably added to the traditional set of twelve as a tribute to the dedicatee and distinctive for its use of "scordatura" and pedal notes.
In this balance between contrapuntal tradition and new cantabile expression, between formal rigor and expressive exploration, the Opera prima stands as a decisive first climax in Tartini's development. This critical edition provides a state-of-the-art historical account and a reliable text that, besides marking a fundamental step in the history of the violin sonata, continues to offer extraordinary interpretative possibilities today.
Contents:
- Prefazione all'edizione
- Preface to the edition
- Criteri editoriali
- Editorial policies
- Introduzione
- Introduction
- Aspetti generali di prassi esecutiva e organologia
- General aspects of performance practice and organology
- Facsimiles
- Twelve sonatas and one pastorale, Op. 1
- Parte prima
- Sonata prima A14
- Sonata seconda F9
- Sonata terza C11
- Sonata quarta G17
- Sonata quinta e6
- Sonata sesta D12
- Parte seconda
- Sonata settima D6
- Sonata ottava c2
- Sonata nona A15
- Sonata decima g10
- Sonata undicesima E5
- Sonata dodicesima F4
- Pastorale A16
- Appendix I
- Pastorale A16a
- Pre-print version
- Apparato critico
- Descrizione e critica dei testimoni
- Elenco delle varianti
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
Tartini: Twelve Sonatas and One Pastorale
