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Hillary Tann

Tann: The Grey Tide and the Green

$ 53.95
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Oxford University Press  |  SKU: 9780193864665  |  バーコード: 9780193864665
  • Composer: Hillary Tann (1947-)
  • Format: Full Score
  • Instrumentation: Orchestra
  • Work: The Grey Tide and the Green (2001)
  • ISBN: 9780193864665
  • Size: 9.0 x 12.9 inches
  • Pages: 69

Description

picc.2.2.2.2-4.2.3.1-timp.3perc.cel.hp-str

In his short poem, "Boundaries", R. S. Thomas writes, "Where does the town end / and the country begin? / Where is the high-water mark / between the grey tide and the green?' These lines led the composer to recall the lichen-covered, low stone walls which crisscross the high mountain moorland behind her childhood home in Ferndale, Rhondda. in turn, the local image suggested the textural contrasts which underlie the piece as a whole – contrasts between fast, string-dominated passages ("moorland") and resonant, brass-dominated passages ("stone boundaries"). The presence throughout the piece of bell-like sections is again inspired by the poem. When Thomas writes of farming within "the sounds of the bell / of the worshipping cathedral" he evokes a time when the mountain-top walls were monastic boundaries. – HT

Oxford University Press

Tann: The Grey Tide and the Green

$ 53.95

Description

picc.2.2.2.2-4.2.3.1-timp.3perc.cel.hp-str

In his short poem, "Boundaries", R. S. Thomas writes, "Where does the town end / and the country begin? / Where is the high-water mark / between the grey tide and the green?' These lines led the composer to recall the lichen-covered, low stone walls which crisscross the high mountain moorland behind her childhood home in Ferndale, Rhondda. in turn, the local image suggested the textural contrasts which underlie the piece as a whole – contrasts between fast, string-dominated passages ("moorland") and resonant, brass-dominated passages ("stone boundaries"). The presence throughout the piece of bell-like sections is again inspired by the poem. When Thomas writes of farming within "the sounds of the bell / of the worshipping cathedral" he evokes a time when the mountain-top walls were monastic boundaries. – HT

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