Shostakovich: Symphony No 10, Op. 93 (arr. for piano 4-hands)
New Collected Works Volume 25
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- Composer: Dmitri Shostakovich (1906-1975)
- Instrumentation (this edition): Piano 4-Hands
- Originally for: Orchestra
- Work: Symphony No. 10, Op. 93
- Binding: Hardcover
- ISMN:
- Size: 8.9 x 11.6 inches
- Urtext / Critical Edition
Description
Soon after finishing the symphony, Shostakovich prepared its four-hand piano score. This was the version the author used to perform the symphony with Mieczysław (Moisey) Weinberg in Leningrad, first at the apartment of conductor Evgeny Mravinsky (23 and 24 November), who prepared the symphony for its premiere, and later (in the evening of 24 November) at the apartment of the composer's mother, Sofya Shostakovich, which Mravinsky made note of in his diary. Weinberg recalled these events later in an interview with Sofya Khentova. "We went to play the Tenth Symphony in Leningrad at Evgeny Mravinsky's. We performed it twice in the conductor's apartment on Borodinsky Street. We performed it four hands for the Leningrad composers, I played the right-hand part, Dmitri Dmitriyevich always sat to my left. There was a lively discussion in Leningrad at the House of Composers."
On 15 February 1954, the piano version of the Tenth Symphony performed by Shostakovich and Weinberg was recorded at the Moscow Sound-Recording House. "The recording of the Tenth we performed was restored," Weinberg later witnessed, "and then it was included on a gramophone record called ‘Shostakovich the Pianist' as a document, an aid for conductors: as played by Shostakovich."
This publication is based on the first edition of the author's piano arrangement (Muzgiz Publishers, Moscow, 1954), collated with the author's manuscript kept at the Glinka State Central Museum of Musical Culture (rec. gr. 32, f. 69), and the edition of the score (New Collected Works - Volume 10, DSCH, Moscow, 2009).
A large number of bowings (slurs, accents, staccato dots, tenuto dashes) that exist in the instrumental parts in the score are missing in the author's manuscript and first edition of the piano score. in this edition, all the bowings have been inserted in accordance with the score and are not given specific mention.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Hardbound. Generally either linen-covered or half-leather.
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Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.






