Schütz: Opera varia I (Works with 1–7 parts)
Stuttgart Schütz Edition Volume 19
In stock and typically ships within 1 business day.
- Composer: Heinrich Schütz (1585-1672)
- Binding: Hardcover
- Work Language: German
- ISMN:
- Size: 8.3 x 11.7 inches
- Pages: 368
Description
Volume 19 of the Schütz Complete Edition brings together 21 very different compositions from various phases of Schütz's compositional output. The spectrum ranges from a short, two-part sacred concerto to a six-part cyclical psalm setting and large-scale polychoral concerto, from well-known works such as the "Osterdialog" to a completely unknown madrigalian composition, full of emotion, to a simple chorale setting. A particular challenge was posed by the ten works or versions of works which survive incomplete. Two of these, the Christmas concerto "Ach Herr, du Schöpfer aller Ding" SWV 450a and "Ein Kind ist uns geboren" SWV 497, appear here for the first time in print. with both of these it turned out that it was possible to reconstruct the missing parts fully from available material. for the "Ultima Verba Psalmi 23", "Gutes and Barmherzigkeit" SWV 95 and the two "Nunc dimittis: Herr, nun lässest du deinen Diener" SWV 432 and 433, the editor's reconstructions are presented, and likewise with the chorale movement "In dich hab ich gehoffet, Herr" SWV 446. The impressive Easter dialog "Weib, was weinest du" SWV 443 is one of the works which survives incomplete. in order to give an impression of how the whole work might actually have sounded in the complete form as planned by Schütz, the Appendix to the volume contains a reconstruction of the four-part vocal setting of the missing final chorus, based on the surviving figured bass. The magnificent "Gesang der drei Männer im feurigen Ofen" (Song of the three men in the burning fiery furnace) SWV 448 from the book of the prophet Daniel, the original source of which is lost, is critically discussed and published with various possibilities for scoring.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Schütz: Opera varia I (Works with 1–7 parts)
