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Franz Schubert

Schubert: Piano Sonata in A Minor, Op. posth. 164, D 537

$ 15.95
次精算時に配送料を算出。

Expected to ship in 1-2 weeks.

G. Henle Verlag  |  SKU: HN1556  |  バーコード: 9790201815565

Description

Replaces HN697.

Franz Schubert seems to have been particularly attracted to A-Minor. Not just one but three of his piano sonatas are in this key. The earliest of them, D 537, was composed in March 1817 and was simultaneously his first completed piano sonata ever. It is characterised by concise brevity. The three-movement form dispenses with the usual scherzo. It is far removed from the drama of its a-Minor sibling works; meandering modulations often lead to distant harmonic regions and lighten the mood to Major – significantly, the sonata also ends in A Major. Henle's Urtext edition is based on the autograph, which is preserved in the Bibliothèque nationale in Paris; a contemporary manuscript copy and the posthumous first edition were only used for comparison purposes. The preface by Schubert expert Andrea Lindmayr-Brandl and the detailed comment section provide information about the work's genesis and about open questions concerning the musical text. The fingerings by renowned Schubert interpreter Martin Helmchen are a further plus point of this new edition.

G. Henle Verlag

Schubert: Piano Sonata in A Minor, Op. posth. 164, D 537

$ 15.95

Description

Replaces HN697.

Franz Schubert seems to have been particularly attracted to A-Minor. Not just one but three of his piano sonatas are in this key. The earliest of them, D 537, was composed in March 1817 and was simultaneously his first completed piano sonata ever. It is characterised by concise brevity. The three-movement form dispenses with the usual scherzo. It is far removed from the drama of its a-Minor sibling works; meandering modulations often lead to distant harmonic regions and lighten the mood to Major – significantly, the sonata also ends in A Major. Henle's Urtext edition is based on the autograph, which is preserved in the Bibliothèque nationale in Paris; a contemporary manuscript copy and the posthumous first edition were only used for comparison purposes. The preface by Schubert expert Andrea Lindmayr-Brandl and the detailed comment section provide information about the work's genesis and about open questions concerning the musical text. The fingerings by renowned Schubert interpreter Martin Helmchen are a further plus point of this new edition.

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