Saroni: Complete Songs, 1844–1889
Expected to ship in about a week.
- Composer: Herrman S. Saroni (1824-1900)
- Editor: Lars Helgert
- Instrumentation: Piano, Voice
- ISBN:
Description
This volume includes all of the surviving songs by German-American composer, performer, critic, and businessman Herrman S. Saroni (1823/24–1900), who is now most remembered as the owner and editor of Saroni's Musical Times (one of America's first significant music magazines). The entire date range of these songs is 1844–89, but the vast Majority appeared in the 1840s and early 1850s. Saroni was among the first composers in America to combine aspects of German lieder and various features associated with popular song, and these works fuse accessibility to amateurs with sophisticated compositional techniques. Despite several indicators of success in his era, Saroni's songs are almost completely unknown today. These works deserve reconsideration and modern performance both for their historical significance and for their aesthetic value. Most of the songs in this edition were published in Saroni's lifetime, but an appendix includes a transcription of an unpublished holograph manuscript song, the original of which is also shown in two plate images.
Contents:
- The Child's First Grief
- 'Tis Best to Be Free
- The Pequot Brave
- The Merry Sleigh / Jingle, Jingle, Clear the Way!
- Fratel del mio cor!
- I've Thought of Thee, Dearest!
- Oh! Say Not: Sing a Careless Lay!
- To My Friend
- Strike Soft the Lute!
- Echo Song: I Know a Noble Heart!
- Let Me Perish in the Early Spring!
- My Cynosure
- O'er the Wildly Heaving Sea
- Slumber, Infant! Slumber
- Thou Art Welcome Dearest Sister
- Sweet Island Home
- Music from Afar
- The Gipsy of the North
- Weep for the Love That Fate Forbids
- Angel Whose Bright Image
- The Heart's Despair
- Nay Weep No More My Lov'd One
- Bingen on the Rhine
- Speed Away!
- Memory of the Past
- The Silent Tear 27a. The Lonely Tear 27b. The Lonely Tear: Arranged for the Spanish Guitar
- Our Childhood's Home
- The Awakening of Italy
- The Saw Mill
- They Tell Me Thou Art Gay Once More!, Op. 103
- Unroll the Broad Banner: A Patriotic Song
- The Remembered Song
- I Wandered in the Woodland
- Oh! My Heart Is Weary Waiting! or Summer Longings
- The Orphans 37a. Winter Flowers (1850 and 1851) 37b. Winter Flowers (1869)
- Full Many Years Ago
- Anna Is the One I Love
- Thou'rt Weeping Still
- Camp Troubles! Hark, the Bugle Resounds
- Lullaby
Appendix: Leave It with Him
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
