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Max Reger

Reger: Works for Mixed Voice Unaccompanied Choir I (1890–1902)

Werkausgabe - Volume II/8

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Carus  |  SKU: CV52.815/00  |  バーコード: 9790007188313
  • Composer: Max Reger (1873-1916)
  • Editors: Stefan König (1963-), Stefanie Steiner-Grage, Christopher Grafschmidt, Alexander Becker
  • Format: Full Score & DVD
  • Instrumentation: SATB Choir
  • Binding: Hardcover
  • Work Language: German
  • ISMN: 9790007188313
  • Size: 9.8 x 12.6 inches
  • Pages: 288

Description

This first part-volume contains mixed choruses composed by Reger between 1890 and 1902. It includes functional music for use in the Catholic liturgy (Op. 61 and WoO VI/12, 19) and the Protestant liturgy (Op. 79f and WoO VI/17, which provides chorale-based four-part settings for a complete church year). Reger wrote both secular folk song settings (WoO VI/10, 11), as well as sacred (WoO VI/13, 14). His Drei Chöre (Three Choruses), Op. 39, very demanding both compositionally and tonally, were dedicated to renowned choral societies, almost professional in standard. "Palmsonntagmorgen" WoO VI/18, written as a commission, forms a bridge to Reger's later motets to a certain extent.

The Max-Reger-Institut (MRI) in Karlsruhe is publishing a scholarly-critical edition of the works of Reger (RWA) for the first time. This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition, it is pursuing new directions in editorial techniques.

Content

  • Tantum ergo in g WoO VI/2
  • Gloriabuntur in te omnes WoO VI/3
  • Sechs ausgewählte Volkslieder WoO VI/10
  • Acht ausgewählte Volkslieder WoO VI/11 -Drei Chöre, Op. 39
  • Maria, Himmelsfreud WoO VI/12
  • Zwölf deutsche geistliche Gesänge WoO VI/13
  • Sieben geistliche Volkslieder WoO VI/14
  • Der evangelische Kirchenchor WoO VI/17
  • Acht »Tantum ergo«, Op. 61a
  • Acht Marienlieder, Op. 61d
  • Sechs Trauergesänge, Op. 61g
  • Acht Grabgesänge WoO VI/15
  • Palmsonntagmorgen WoO VI/18
  • Komm, Heiliger Geist WoO VI/19
  • Kompositionen, Op. 79f

Appendix

  • Kompositionen, Op. 79f No. 8–10, 12–13, Erstfassung