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Ludolf Nielsen

L. Nielsen: Symphony No. 3 in C Major, Op. 32

$ 67.75
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Musikproduktion Höflich  |  SKU: MPH4994
  • Composer: Ludolf Nielsen (1876-1939)
  • Editor: Christian Biskup
  • Format: Full Score
  • Instrumentation: Orchestra
  • Work: Symphony No. 3 in C Major, Op. 32
  • Size: 8.9 x 12.4 inches
  • Pages: 163

Description

Instrumentation

  • 3 flutes (also piccolo) – 2 oboes – cor anglais – 2 clarinets in Bb and A – 2 bassoons – contrabassoon
  • 6 horns – 3 trumpets – 3 trombones – 1 tuba
  • timpani – triangle – snare drum – bass drum – cymbals – gong – tubular bells – xylophone – glockenspiel
  • 2 harps
  • Violin I – Violin II – Viola – Cello – Double bass

Ludolf Nielsen is just one of the many Danish composers who have fallen into oblivion due to the overpowering shadow of Carl Nielsen. Yet the biographies of the two, incidentally unrelated namesakes, show remarkable parallels. Both Carl and Ludolf grew up in a rural environment before they were drawn to the Danish capital to study, where both were quickly counted among the most promising musicians of their generation. While Carl Nielsen succeeded in adapting his musical language to the musical trends, Ludolf remained faithful to the Romantic idiom throughout his life, which may be the reason for his early demise on the world stage.

Musikproduktion Höflich

L. Nielsen: Symphony No. 3 in C Major, Op. 32

$ 67.75

Description

Instrumentation

  • 3 flutes (also piccolo) – 2 oboes – cor anglais – 2 clarinets in Bb and A – 2 bassoons – contrabassoon
  • 6 horns – 3 trumpets – 3 trombones – 1 tuba
  • timpani – triangle – snare drum – bass drum – cymbals – gong – tubular bells – xylophone – glockenspiel
  • 2 harps
  • Violin I – Violin II – Viola – Cello – Double bass

Ludolf Nielsen is just one of the many Danish composers who have fallen into oblivion due to the overpowering shadow of Carl Nielsen. Yet the biographies of the two, incidentally unrelated namesakes, show remarkable parallels. Both Carl and Ludolf grew up in a rural environment before they were drawn to the Danish capital to study, where both were quickly counted among the most promising musicians of their generation. While Carl Nielsen succeeded in adapting his musical language to the musical trends, Ludolf remained faithful to the Romantic idiom throughout his life, which may be the reason for his early demise on the world stage.

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