Herbeck: Selected Sacred Works
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- Composer: Johann Herbeck
- Editor: William E. Hettrick
- Instrumentation: SATB Choir
- ISBN:
Description
This edition presents a selection of Johann Herbeck's sacred choral works with instrumental accompaniment representing his association with important Austrian organizations and institutions. Texts in Latin and German are featured, along with both mixed and men's choruses. The earliest examples represent Herbeck's basic musical ability at the age of fifteen as a student at the Heiligenkreuz Abbey in Lower Austria (two settings of "Tantum ergo," 1847) and his greater competence just a few years later as a member of the Church of the Piarists in Vienna ("De profundis," 1851). Only five years later, his two lengthy works for men's chorus and military brass band, which he conducted in his debut as director of the Wiener Männergesang-Verein ("Psalm: Der Herr ist mein Licht" and "Te Deum," 1856), exhibited mature musical mastery. The same level of competence is evident in his works for mixed chorus that he performed upon being named founding conductor of the Viennese Singverein ("Sperent in te," 1858) and before and after becoming the imperial Hofkapellmeister ("Adoro te," 1864; "In ecclesiis," 1867).
Selected Sacred Works for Mixed Chorus with Accompanying Instruments (All Chorus ensembles are in four parts, unless otherwise indicated.)
- Tantum ergo; Chorus and 2 Violins, Viola, Cello, Contrabass, Flute, 2 Oboes, Bassoon, and Organ
- Tantum ergo; Chorus and Organ
- De profundis; Chorus, 2 Violins, Viola, Cello Solo, Cello Tutti, Contrabass, and 2 Clarinets
- Sperent in te; Chorus (SSAATTBB) and Organ
- Adoro te; Chorus, 2 Violins, Viola, Cello/Contrabass, 2 Clarinets, 2 Bassoons, 2 Horns, and Organ
- in ecclesiis; Chorus (SSAATTBB), 2 Violas, 2 Cellos, 2 Oboes, and 2 Clarinets
Selected Sacred Works for Men's Chorus with Accompanying Instruments (Both Chorus ensembles are in four parts.)
- Psalm: Der Herr ist mein Licht; Chorus, 4 Horns, 2 Trumpets, 4 Trombones, and Tuba
- Te Deum; Chorus, 4 Horns, 2 Trumpets, 4 Trombones, Tuba, and Timpani
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
