Dream and Longing
German-Jewish Songs as a Choral-Musical Culture of Remembrance
Imported and often ships in 2-3 weeks, but may take up to three months.
- Instrumentation: SATB Choir
- ISMN:
- Size: 7.6 x 10.8 inches
- Pages: 80
Description
Dreams and longing – these themes found their place in the music of the Late Romantic period and can be traced in both German and Hebrew literature of the time. The Deutsch-Jüdisches Liederbuch (German-Jewish Songbook) of 1912 brought together songs by German-Jewish composers and lyricists.
As part of an arranging competition organised by the German Choir Association, composers from Germany and Israel were invited to create contemporary choral settings of these songs for various choral ensembles. Each piece lasts between 3 and 6 minutes and is based either on a German or Hebrew song, or a fusion of both.
Suitable for chamber choirs in both sacred and secular contexts, the works are of moderate difficulty and offer a rich musical and emotional experience.
The premiere took place at the 2025 Deutsches Chorfest in Nuremberg. These works form a musical bridge between cultures and contribute meaningfully to the German-Jewish culture of remembrance.
Contents:
- Heimweh (Henning Wölk)
- El-Hatsipor (Henning Wölk)
- Träume der Nacht (Jutta Michel-Becher)
- Abendgrüße (Ohad Stolarz)
- Der 122. Psalm (Ohad Stolarz)
- Wandrers Nachtlied (Yonatan Harari, Yonatan Yochay)
- Ha-dagim (Yonatan Harari, Yonatan Yochay)
- Evening Scene (Yannick Wittmann)
- An meinen Engel (Jens Klimek)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
