Composers on Composing for Band - Volume 4
Expected to ship in 1-2 weeks.
- Binding: Hardcover
- ISBN:
- Size: 6.3 x 9.3 inches
- Pages: 592
Contributing Composers: Kimberly Archer, Cormac Cannon, Travis Cross, Carl Holmquist, Kyle Kindred, Eric Knechtges, Roy Magnuson, Michael Markowski, Timothy Miles, Michael A. Mogensen, Clint Needham, Shawn Okpebholo, Vincent Oppido, Kathryn Salfelder, Matthew Schoendorff, Ben Stonaker, Anthony Suter, Christopher Tucker
Foreword by Paula A. Crider
This book is about connection: the connection between composer and conductor, performers and audience, and all of these and music itself. Connection defines what the new generation of composers of wind ensemble music are all about.
While volumes 1–3 brought insights into the workings of veteran composers of wind ensemble music such as Frank Ticheli, Andrew Boysen, Jr., and David Maslanka to band directors at all levels, volume 4 centers on young and emerging composers and is full of insights and descriptions of new approaches to writing and performing music for wind ensemble. All four books in the series provide an invaluable resource for deepening the understanding of the composer's art.
Each chapter is dedicated to the experiences and works of a single composer, culminating with a complete list of repertoire by grade level. in a format that is consistent throughout, composers discuss their earliest experiences in music and their thoughts on the creative process; the approach to orchestration, conducting, and score study; the relationship between the composer and the commissioner; how to work with young composers; influential mentors, works, and composers; and the future of the wind band.
Conceived and edited by Mark Camphouse, this inspiring yet practical series gives directors a chance to go beyond the notes on the page and enter the composer's world through his or her own words. The reader will gain a greater degree of understanding and respect for both the creative and recreative processes and will ultimately promote a strengthening of the band profession through more thoughtful interpretations and more musically sensitive performances.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Composers on Composing for Band - Volume 4
