Classical Highlights for Viola
Out of print. No longer in production.
Shipping Policy- Composers: Francisco Tárrega (1852-1909), George Frideric Handel (1685-1759), Johann Sebastian Bach (1685-1750), Robert Schumann (1810-1856), Edward MacDowell (1860-1908), Zdeněk Fibich (1850-1900), Fritz Kreisler (1875-1962), Claude Debussy (1862-1918), Anton Rubinstein (1829-1894), Edward Elgar (1857-1934), Richard Wagner (1813-1883), Eduard Pütz (1911-2000), Kurt Noack (1895-1945), Erik Satie (1866-1925), Franz Schubert (1797-1828), Gabriel Fauré (1845-1924), George Gershwin (1898-1937), Felix Mendelssohn (1809-1847)
- Format: Book & Audio Access
- Instrumentation (this edition): Viola
- Originally for: Piano, Violin, Voice, Flute, SATB Choir, Orchestra, Guitar, Chamber Orchestra, SSAA Choir, Opera
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 104
Description
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for viola and piano. The comprehensive selection of works enables the musician to access classical masterpieces – from Handel and Bach through to Schubert, Mendelssohn, Schumann and Wagner to Fauré, Elgar, Debussy and Satie. There will be something for any viola player who is looking for a popular classical work for teaching or performing purposes.
Works:
- Air from Bach: Orchestral Suite No. 3 in D Major, BWV 1068
- Jesu, Joy of Man's Desiring from Bach: Herz und Mund und Tat und Leben (Cantata for the Feast of Visitation B.V.M.), BWV 147 (SATB Solos)
- Largo from Handel: Serse (Xerxes), HWV 40
- Schubert: Ave Maria ("Ellens Gesang III"), D 839, Op. 52, No. 6
- Wedding March from Mendelssohn: A Midsummer Night's Dream (Incidental Music), MWV M 13, Op. 61 (SpSS Solos)
- Mendelssohn: Adagio non troppo in E Major (Consolation), MWV U 104, Op. 30, No. 3
- No. 7, Reveries from R. Schumann: Kinderszenen (Scenes from Childhood), Op. 15
- Bridal Chorus from Wagner: Lohengrin, WWV 75
- Rubinstein: Melodie in F Major, Op. 3, No. 1
- Fauré: Pavane, Op. 50
- Fibich: Poem in D♭ Major, Op. 39a
- Tárrega: Recuerdos de la Alhambra
- No. 1 from Elgar: Pomp & Circumstance Marches, Op. 39
- MacDowell: To a Wild Rose, Op. 51, No. 1
- Debussy: Golliwogg's Cakewalk
- No. 1 from Satie: Gymnopédies (1888)
- Kreisler: Liebesfreud from Alt-Wiener Tanzweisen (3 Old Viennese Dance Tunes) (1905)
- Kreisler: Liebesleid from Alt-Wiener Tanzweisen (3 Old Viennese Dance Tunes) (1905)
- Noack: Heinzelmännchens Wachtparade, Op. 5
- No. 2 from Gershwin: 3 Preludes (1926)
- Pütz: Blue Waltz (1997)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
