Chorale Preludes for Organ - Volume 3 (Throughout the Church Year - Part I)
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- Composers: Johann Friedrich Doles (1715-1797), Alexandre Guilmant (1837-1911), Gregor Simon
- ISMN:
- Size: 9.1 x 12.6 inches
- Pages: 112
Description
This series of chorale settings for organ continues with a volume of 35 compositions based on hymns which are used throughout the church year. The main feasts and themes represented in this collection include the celebration of Mass, the Holy Spirit, Trinity, Jesus Christ, Praise and Thanks, as well as trust and consolation.
Distinguished composers from various European countries have contributed to the volume. Some works which are less well-known, from the Baroque to the 20th century, are also included. The collection contains several exciting new discoveries which will be useful in the liturgy of the Mass, in other services and in concerts. This third volume in the series follows on from the editions already published devoted to Christmas and Easter.
Contents:
Johann Friedrich Doles: Den Engel lasst uns preisen / Den Herren will ich loben / Du hast, o Herr, dein Leben
Alexandre Guilmant: Den Engel lasst uns preisen / Den Herren will ich loben / Du hast, o Herr, dein Leben
Gregor Simon: Der Lärm verebbt
Giacomo Mezzalira: Der Mond ist aufgegangen
Paul Ayres: Du lässt den Tag, o Gott, nun enden
Wolfgang Reisinger: Gelobt seist du, Herr Jesu Christ
Christian Matthias Heiß: Gott ist gegenwärtig
Odilo Klasen: Gott loben in der Stille
Michal Ziólkowski: Gott ist dreifaltig einer / Gott ruft sein Volk zusammen
Friedrich Reimerdes: May God be praised (1974)
Ben Parry: Großer Gott, wir loben dich
Kai Schreiber: Ich lobe meinen Gott von ganzen Herzen
Szymon Godziemba-Trytek: Ich will dich lieben, meine Stärke
Klaus Wallrath: In dieser Nacht
Massimo Berzolla: Jesus Christ, you are my life
Johann Simon Kreuzpointner: Komm her, freu dich mit uns
Johannes Schröder: Komm, Schöpfer Geist, kehr bei uns ein
Johann Friedrich Doles: Liebster Jesu, wir sind hier
Owain Park: Macht weit die Pforten in der Welt
Gregor Simon: Mein Hirt ist Gott der Herr
Max Gulbins: Nun danket alle Gott
Ernst Köhler: Nun danket alle Gott
Otto Dienel: Nun ruhen alle Wälder / O heilge Seelenspeise / O Welt, ich muss dich lassen
Johann Christian Heinrich Rinck: Nun ruhen alle Wälder
Hermann Schroeder: Nun ruhen alle Wälder
Hermann Schroeder: O Jesu, all mein Leben
Peter Planyavsky: O heiligste Dreifaltigkeit
Ekaterina Melnikova: Tief im Schoß meiner Mutter
Sergej Zheludkov: Stimme, die Stein zerbricht
Josef jun. Renner: Veni, creator Spiritus
Samuel Scheidt: Veni, creator Spiritus
Johann Sebastian Bach: Whatever God ordains is right
Johann Gottfried Walther: Was Gott tut, das ist wohlgetan
Theophil Forchhammer: Wer nur den lieben Gott lässt walten
Dominik Sustek: Wir glauben Gott im höchsten Thron
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Chorale Preludes for Organ - Volume 3 (Throughout the Church Year -...
