American Aria Anthology - Baritone / Bass
Expected to ship in 1-2 weeks.
- Instrumentation: Piano Reduction, Baritone / Bass
- ISBN:
- Size: 9.0 x 12.0 inches
- Pages: 246
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Description
This landmark series collects compelling, useful, singer-friendly excerpts from the best of a distinctly American musical tradition. Plot notes and basic information about each opera are included. Opera composers such as Samuel Barber, William Bolcom, Douglas Moore, Virgil Thomson and Kurt Weill are represented. The operas of Gian Carlo Menotti are particularly present, with 26 arias from nine operas in the series.
Contents: AMAHL AND THE NIGHT VISITORS: Oh, woman, you may keep the gold • ANTONY AND CLEOPATRA: Hark! the land bids me • THE BALLAD OF BABY DOE: Warm as the autumn light, Turn tail and run then, Good people of Leadville • CAROUSEL: Soliloquy • THE CONSUL: The Police Agent's Aria • THE EMPEROR JONES: Oh Lawd Jesus, heah my prayer • FOUR SAINTS IN THREE ACTS: Once in a while • THE GHOSTS OF VERSAILLES: They wish they could kill me, Figaro was supposed to return the necklace • THE GOOD SOLDIER SCHWEIK: The Doctor's Aria, Dear Madame • THE GREAT GATSBY: I remember long ago • A HAND OF BRIDGE: And this will be my epitaph JOHN BROWN: The Songs of the Slave • LITTLE WOMEN: There was a knight, Kennst du das Land (Do you know the land) • LOST IN THE STARS: Thousands of Miles, O Tixo, Tixo, help me! • McTEAGUE: Jehosophat! • THE MIGHTY CASEY: In 1839, The Catcher's Song, The Manager's Song, The Umpire's Song • THE MOTHER OF US ALL: What what is it, Angel More • THE OLD MAID AND THE THIEF: When the air sings of summer (Bob's Aria) • REGINA: Horace's Aria, Greedy Girl • THE SAINT OF BLEECKER STREET: Ah, poor Michele • SHOW BOAT: Ol' Man River • STREET SCENE: Let things be like they always was • SWEENEY TODD: Epiphany • TARTUFFE: Every day at church • TEA: Venus of the East • THE TEMPEST: Our revels now are ended • VANESSA: You rascal, you! I never knew you had a soul, for ev'ry love there is a last farewell • WUTHERING HEIGHTS: Man that is born of a woman
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.





