30 Spirituals
In stock and typically ships within 1 business day.
- Arranger: Hall Johnson (1888-1970)
- Instrumentation: Piano, High Voice
- Work Language: English
- ISBN:
- Size: 9.0 x 12.0 inches
- Pages: 102
Description
Hall Johnson (1888-1970) created classic arrangements of spirituals for voice and piano, originally published in medium keys. These new transpositions make the arrangements comfortable for more voices, with recorded piano accompaniments for practice.
Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
Contents:
• Belshazza' Had a Feasa'
• Dat Suits Me
• Done Written Down My Name
• Every Time I fell the Spirit
• Glory Hallelu to de Newborn King
• The Gopel Train Is Coming
• Great Day
• How Long Train Been Gone
• I Couldn't Hear Nobody Pray
• Keep A-Inchin' Along
• Leanin' on Dat Lamb
• Let de Heb'n-Light Sine on Me
• Mary Had a Baby
• My Lord, What a Morning
• O Freedom
• Oh, Graveyard
• Over Yonder
• Po' Mo'ner Got a Home at Las'
• Prayer Is de Key
• Religion Is a Fortune
• Ride On, King Jesus
• Scandalize' My Name
• Sinner-Man So Hard to Believe
• Stan' Still, Jordan
• Standin' in the Need of Prayer
• Swing Low, Sweet Chariot
• There Is a Balm in Gliead
• This Is de Healin' Water
• Were You There?
• When I Lay My Burden Down
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

