Teaching Music through Performance in Band - Volume 6
Expected to ship in 1-2 weeks.
- Pages: 950
By Larry Blocher , Eugene Migliaro Corporon , Ray Cramer , Tim Lautzenheiser , Edward S. Lisk , and Richard Miles.* Compiled and edited by *Richard Miles.
The best-selling Teaching Music through Performance in Band series continues to be the indispensable resource for band directors. Volume 6 continues the tradition: current perspectives on Major issues in the field together with tools to help band directors identify and teach the best band works being published today.
Chapters written by a team of nationally recognized band directors and teachers include "Who Always Has the Melody Most of the Time?" by Larry Blocher; "Soundings: Developing Beautiful Tone" by Ray Cramer, with input from former students; "Making a Difference" by Edward S. Lisk; "Historical Highlights of the Wind Band to 1800: A Heritage and Lineage, Part One: Antiquity to Classical" by Eugene Migliaro Corporon; "The One Who Makes a Difference: Characteristics of Master Teachers" by Tim Lautzenheiser; and "Featuring Soloists with Ensembles" by Richard Miles.
Like the other volumes in the series, this book includes extensive analyses of 100 works for band, Grades 2 to 6. The literature selected for this volume is a true showcase of the highest level works for band being published today. Devotees of this series will not want to miss this installment.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Teaching Music through Performance in Band - Volume 6
