Purcell: Come ye Sons of Arts
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- Editor: Rebecca Herissone
- Format: Full Score
- Work Language: English
- ISMN:
- Size: 9.0 x 12.0 inches
Description
In a remarkable case of musicological detective work, Dr Rebecca Herissone has cast doubt on the veracity of the sole surviving source for one of Henry Purcell's best loved choral works. Furthermore, through careful analysis of the manuscript, and inspired by a fascinating historical 'find', she has established the probable text of the composer's ode as it was first performed on 30 April 1694 for the birthday of Queen Mary. How an eighteenth-century copyist known to history only as Pindar amplified and extended Purcell's lost examplar, in ways that corrupted his original intentions, is described in the Preface to the edition - a remarkable story, which is supported by a detailed Editorial Commentary. Brass and timpani are now omitted as being late-baroque additions, and there are modifications to the shape and phrasing of a number of movements. The overall effect is to simplify both the scoring and structure, with clearer word-setting and instrumental part writing. This edition of Come ye Sons of Arts was performed by the Gabrieli Consort & Players at the Wigmore Hall in April 2008.
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Paperback
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Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Purcell: Come ye Sons of Arts
