Mendelssohn: Erde, Hölle and Himmel ("Christus") MWV A 26
Leipzig Edition: Series VI - Volume 12
Expected to ship in 1-2 weeks.
- Composer: Felix Mendelssohn (1809-1847)
- Editor: Clemens Harasim
- Format: Full Score – Hardcover
- Instrumentation: SATB Choir, Orchestra
- Work: Christus (fragment), MWV A 26, Op. 97
- Binding: Hardcover
- Work Language: German
- ISMN:
- Size: 9.8 x 12.6 inches
- Pages: 156
- Urtext / Critical Edition
Description
Mendelssohn probably began writing his third oratorio in early 1847 based on a libretto by Baron Christian Carl Josias von Bunsen titled "Erde, Hölle and Himmel" (Earth, Hell and Heaven), which is most likely no longer extant. However, his preoccupation with the subject, manifested in verbal drafts, concrete plans and an active search for an appropriate textual basis, can be traced back to 1839, more than seven years before the premiere of "Elijah", his second oratorio.
There are no written statements by Mendelssohn himself regarding the compositional process. However, reports from his contemporaries prove that the composer was working on the oratorio until a few weeks before his death and that it remained fragmentary. The known autograph score and some sketches are most likely all that the composer left behind in this regard, as there is no evidence of any other musical material for this work ever existing. The individual sketches, which are being prepared with a music-philological approach for the first time in this edition and published accordingly, can all be assigned to the pieces elaborated in the score, except for one (for a German Nunc dimittis). Thus, there are three fully composed movements for the first scene (focusing on the birth of Jesus) as well as the Passion scene with a choral and a chorale movement; all belonging to the first part ("Earth").
The title "Christus" for the fragment, established by the posthumous first printing of 1852, is based solely on the title handed down by his brother Paul Mendelssohn-Mendelssohn via Ignaz Moscheles. As the autograph bears no title, Mendelssohn made no written comments on it, and the content of the underlying libretto is also unknown, we can only speculate whether the composer had already decided on a final title and, if so, what it was. It is also speculative if his third oratorio was intended to be part of a trilogy together with "Paul" and "Elijah".
- [Rezitativ and Terzett] "Da Jesus geboren war" / "Wo ist der neugeborne König der Juden"
- Chor "Es wird ein Stern aus Jakob aufgehn"
- [Rezitativ and Chor] "Und der ganze Haufe" / "Diesen finden wir"
- Recit "Da überantwortete er ihn"
- [Chor] "Ihr Töchter Zions"
- Choral "Er nimmt auf seinen Rücken"
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
