Haydn: Canons
Complete Edition, Series XXXI
Expected to ship in 1-2 weeks.
- Composer: Joseph Haydn (1732-1809)
- Editor: Otto Erich Deutsch
- Instrumentation: Voice
- Binding: Hardcover
- ISMN:
- Size: 10.0 x 12.8 inches
- Pages: 65
- Urtext / Critical Edition
Works:
- Du sollst an einen Gott glauben, Hob. XXVIIa:1
- Du sollst den Namen Gottes nicht eitel nennen, Hob. XXVIIa:2
- Du sollst Sonn- and Feiertag heiligen, Hob. XXVIIa:3
- Du sollst Vater and Mutter verehren, Hob. XXVIIa:4
- Du sollst nicht töten, Hob. XXVIIa:5
- Du sollst nicht Unkeuschheit treiben, Hob. XXVIIa:6
- Du sollst nicht stehlen, Hob. XXVIIa:7
- Du sollst kein falsch Zeugnis geben, Hob. XXVIIa:8
- Du sollst nicht begehren deines Nächsten Weib, Hob. XXVIIa:9
- Du sollst nicht begehren, deines Nächsten Gut, Hob. XXVIIa:10
- Hilar an Narziss, Hob. XXVIIb:1
- Auf einen adeligen Dummkopf, Hob. XXVIIb:2
- Der Schuster bleib bei seinem Leist, Hob. XXVIIb:3
- Herr von Gänsewitz zu seinem Kammerdiener, Hob. XXVIIb:4
- An den Marull, Hob. XXVIIb:5
- Die Mutter an ihr Kind in der Wiege, Hob. XXVIIb:6
- Der Menschenfreund, Hob. XXVIIb:7
- Gottes Macht and Vorsehung, Hob. XXVIIb:8
- An Dorilis, Hob. XXVIIb:9
- Vixi, Hob. XXVIIb:10
- Der Kobold, Hob. XXVIIb:11
- Der Fuchs and der Marder, Hob. XXVIIb:12
- Abschied, Hob. XXVIIb:13
- Die Hofstellungen, Hob. XXVIIb:15
- Aus Nichts wird Nichts, Hob. XXVIIb:15
- Cacatum non est pictum, Hob. XXVIIb:16
- Tre cose, Hob. XXVIIb:17
- Vergebliches Glück, Hob. XXVIIb:18
- Grabschrift, Hob. XXVIIb:19
- Das Reitpferd, Hob. XXVIIb:20
- Tod and Schlaf, Hob. XXVIIb:21
- An einen Geizigen, Hob. XXVIIb:22
- Das böse Weib, Hob. XXVIIb:23
- Der Verlust, Hob. XXVIIb:24
- Der Freigeist, Hob. XXVIIb:25
- Die Liebe der Feinde, Hob. XXVIIb:26
- Der Furchtsame, Hob. XXVIIb:27
- Die Gewissheit, Hob. XXVIIb:28
- Phoebus and sein Sohn, Hob. XXVIIb:29
- Die Tulipane, Hob. XXVIIb:30
- Das größte Gut, Hob. XXVIIb:31
- Der Hirsch, Hob. XXVIIb:32
- Überschrift eines Weinhauses, Hob. XXVIIb:33
- Der Esel and die Dohle, Hob. XXVIIb:34
- Schalksnarren, Hob. XXVIIb:35
- Zweierlei Feinde, Hob. XXVIIb:36
- Der Bäcker and die Maus, Hob. XXVIIb:37
- Die Flinte and der Hase, Hob. XXVIIb:38
- Der Nachbar, Hob. XXVIIb:39
- Liebe zur Kunst, Hob. XXVIIb:40
- Frag and Antwort zweier Fuhrleute; die Welt, Hob. XXVIIb:41
- Der Fuchs and der Adler, Hob. XXVIIb:42
- Wunsch, Hob. XXVIIb:43
- Gott im Herzen, ein Weib im Arm, Hob. XXVIIb:44
- Turk was a faithful dog, Hob. XXVIIb:45
- Thy voice, o Harmony, is divine, Hob. XXVIIb:46
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Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Hardbound. Generally either linen-covered or half-leather.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
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Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.

