Dvořák: Requiem, Op. 89
Expected to ship in 1-2 weeks.
- Composer: Antonín Dvořák (1841-1904)
- Editor: Claudia Seidl
- Instrumentation: SATB Choir, Orchestra
- Work: Requiem, B. 165, Op. 89
- Work Language: Latin
- ISMN:
- Size: 7.5 x 10.6 inches
- Pages: 160
- Urtext / Critical Edition
Description
Dvořák's mighty Requiem was commissioned for Birmingham's renowned music festival. Since its premiere there in 1891 under the composer's direction, it has enjoyed huge popularity. Although based on the liturgical Latin text, it was conceived from the outset as a full-length work for concert performance.
In inimitable style, Dvořák's Requiem presents a vast emotional spectrum from religious devotion to moments of drama and agonized lamentation, all with a truly impressive depth of expression. Bach's motif of the Cross from the second Kyrie of the Mass in B Minor may well have been the inspiration for the similarly chromatic motif which symbolizes death in almost all movements. The choir plays a central role in the work: with one exception, Dvořák features it in all 13 sections. The version of the work published by Carus reflects the autograph score, which – unlike the original published score and a copy used at the premiere – precisely reproduces the composer's careful dynamic markings. Autograph notes from the conducting score have been taken into account, while individual annotations give detailed information about the differences between the sources.
With this new critical edition of the Requiem, Carus is continuing its efforts to publish Dvořák's sacred works. in addition to the full score, a standard vocal score and reader-friendly large print vocal score are available, as well as the choral score, orchestral material and practice aids for the choir (currently in preparation). The full and vocal scores are also available in digital form.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Dvořák: Requiem, Op. 89
