Chorale Preludes for Organ - Volume 2 (Lent and Easter)
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- ISMN:
- Size: 9.1 x 12.6 inches
- Pages: 104
Description
The second volume continues with 43 compositions for the time of Holy Lent and Easter. For this time of year the new hymnal Gotteslob contains a great number of new songs. Therefore more than 20 pieces are commissioned renditions for this edition – for many songs they are even the first chorale arrangements overall. The collection presents some previously unknown pieces between baroque and present times. The pieces are quite easy to learn and take between two and five minutes playing time and are particularly suitable for the recessional and for the communion.
Contents:
Bernhard Blitsch: Aus der Tiefe rufe ich zu dir (1981)
Johann Gottfried Walther: Beim letzten Abendmahle
Moritz Brosig: Beim letzten Abendmahle
Sigfried Karg-Elert: Beim letzten Abendmahle
Gregor Simon: Bekehre uns, vergib die Sünde
Johann Georg Albrechtsberger: Christ ist erstanden / Christ fuhr gen Himmel
Theophil Forchhammer: Christ ist erstanden / Christ fuhr gen Himmel
Michael Hoppe: Christi Mutter stand mit Schmerzen
Josef Friedrich Doppelbauer: Die ganze Welt, Herr Jesu Christ
Klaus Wallrath: Der König siegt, sein Banner glänzt
Kai Schreiber: Du hast mein Klagen in Tanzen verwandelt
Johannes Schröder: Du Sonne der Gerechtigkeit
Wolfgang Reisinger: Freu dich, du Himmelskönigin
Christopher Tambling: Freu dich, erlöste Christenheit
Colin Mawby: Gelobt sei Gott im höchsten Thron
Richard Lloyd: Halleluja ... Ihr Christen, singet hocherfreut
Colin Mawby: Halleluja ... Ihr Christen, singet hocherfreut
Andreas Willscher: Hosanna dem Sohne Davids (Toccata)
Andreas Willscher: Hosanna dem Sohne Davids (Meditation)
Thomas Gabriel: Holz auf Jesu Schulter
Michael Hoppe: Hört das Lied der finstern Nacht
Johannes Schröder: Ihr Christen, hoch erfreuet euch
Massimo Berzolla: Jerusalem, du neue Stadt
Markus Karas: Jesus lebt, mit ihm auch ich
Rosalie Bonighton: Lasst uns erfreuen herzlich sehr / Maria aufgenommen ist
Johann Simon Kreuzpointner: Nun ist sie da, die rechte Zeit (Vesperpräludium)
Johann Simon Kreuzpointner: Nun ist sie da, die rechte Zeit (Betrachtung der Orgel)
Alan Wilson: O du hochheilig Kreuze
Johann Christoph Bach: Though I be but a singer
Josef Gabriel Rheinberger: O Haupt voll Blut and Wunden
Friedrich Reimerdes: O Haupt voll Blut and Wunden
Josef Friedrich Doppelbauer: O Mensch, bewein dein Sünde groß / O Herz des Königs aller Welt
Massimo Berzolla: O Herr, aus tiefer Klage
Andreas Sabelon: O Traurigkeit, o Herzeleid
Moritz Brosig: O Traurigkeit, o Herzeleid
Kai Schreiber: Selig, wem Christus auf dem Weg begegnet
Bernhard Blitsch: Singt dem König Freudenpsalmen / Also sprach beim Abendmahle
Peter Planyavsky: Und suchst du meine Sünde
Josef jun. Renner: Victimae paschali laudes
Christopher Tambling: Vom Tode heut erstanden ist
Friedrich Reimerdes: Wir wollen alle fröhlich sein
Enjott Schneider: Zeige uns, Herr, deine Allmacht and Güte
Christopher Tambling: Zum Mahl des Lammes schreiten wir
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Chorale Preludes for Organ - Volume 2 (Lent and Easter)
