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Salvador Brotons

Brotons: Mirrors, Op. 22

$ 46.50
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Brotons & Mercadal Edicions Musicals  |  SKU : 100-985PACS  |  Code-barres: 9790692451778
  • Composer: Salvador Brotons (1959-)
  • Format: Set of Parts
  • Instrumentation: Piano, Violin, Clarinet
  • Work: Mirrors, Op. 22
  • ISMN: 9790692451778
  • Size: 8.9 x 12.0 inches

Description

"Mirrors" was written in the fall of 1979 with the intention of submitting it to the 1st Concurso de Jóvenes Compositores de Juventudes Musicales de Barcelona. I composed the piece in one go and it won the first prize in that competition. The premiere was commissioned to the Trio Bartók of Barcelona, who performed it as part of the cycle of concerts in the palaces of Montcada Street.

Thirty-six years later, I have made a thorough revision and expansion of the composition. I have changed the original title, "Simetries", for "Mirrors", and I consider that the final result is much more satisfactory.

The composition, about 12 minutes long, is conceived as a single continuous movement, structured in the form of a mirror. The symmetry of the work is reflected both in the scheme of the movements (Adagio – Allegro – Adagio – Allegro – Adagio) and in the internal structure of the phrases. Almost all of them are six bars long, except for the second theme, which is made up of four-bar phrases. By observing the location of the rehearsal numbers, the structure of each phrase can be easily identified.

Revised 2015

Brotons & Mercadal Edicions Musicals

Brotons: Mirrors, Op. 22

$ 46.50

Description

"Mirrors" was written in the fall of 1979 with the intention of submitting it to the 1st Concurso de Jóvenes Compositores de Juventudes Musicales de Barcelona. I composed the piece in one go and it won the first prize in that competition. The premiere was commissioned to the Trio Bartók of Barcelona, who performed it as part of the cycle of concerts in the palaces of Montcada Street.

Thirty-six years later, I have made a thorough revision and expansion of the composition. I have changed the original title, "Simetries", for "Mirrors", and I consider that the final result is much more satisfactory.

The composition, about 12 minutes long, is conceived as a single continuous movement, structured in the form of a mirror. The symmetry of the work is reflected both in the scheme of the movements (Adagio – Allegro – Adagio – Allegro – Adagio) and in the internal structure of the phrases. Almost all of them are six bars long, except for the second theme, which is made up of four-bar phrases. By observing the location of the rehearsal numbers, the structure of each phrase can be easily identified.

Revised 2015

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