Breath of Song
10 Works by Women Composers
Expected to ship in 1-2 weeks.
- Instrumentation: SATB Choir
- Work Language: English
- ISBN:
- Size: 7.0 x 10.0 inches
- Pages: 96
Description
Breath of Song brings together ten exquisite works by contemporary women composers. Compiled and edited by Sarah Quartel, the collection features an eclectic mix of styles and colours, specially selected with modern concert programming in mind — from settings of hymn-like simplicity and a rich choral sound to works featuring theatrical body percussion and a fresh close-harmony style. Secular and sacred texts from across the centuries are given fresh life, and new words and sounds are introduced to the repertoire, including the onomatopoeic echoes of Hindustani classical instruments in Esmail's 'TaReKiTa' and the whistling of the wind and birds in Hawley's 'The Arrow and the Song'. Scored for unaccompanied mixed voices, this collection of ten compelling works is fresh, dynamic, and exciting — a long-awaited celebration of some of today's most inspirational voices in choral composition.
Contents:
- Love Letter, Sarah Dacey
- O ye who taste that Love is sweet, Eleanor Daley
- TaReKiTa, Reena Esmail
- The Arrow and the Song, Laura Hawley
- God be with us, Cecilia McDowall
- My beloved spake, Becky McGlade
- Snow is Silent, Jenny Mahler
- The Birds' Lullaby, Sarah Quartel
- Round me falls the night, Annabel Rooney
- Wake, Love, Wake!, Joan Szymko
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
