Beethoven: Piano Sonatina No. 25 in G Major, Op. 79
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- Composer: Ludwig van Beethoven (1770-1827)
- Editors: Norbert Gertsch, Murray Perahia
- Fingering: Murray Perahia
- Instrumentation: Piano
- Work: Piano Sonata No. 25 in G Major, Op. 79
- ISMN:
- Size: 9.0 x 12.0 inches
- Urtext / Critical Edition
Description
replaces HN59
Ludwig van Beethoven composed the Sonatina in G Major, Op. 79 in 1809/1810, virtually as an afterthought to his work on larger piano compositions: the E-flat Major Piano Concerto, the Choral Fantasy, and the "Les Adieux" Sonata. Beethoven's spirit is present in this composition too, even if it was not, perhaps, afforded an equally intensive degree of inspiration and artistic effort. The "Presto alla tedesca" became famous because the motif of a third, like the call of a cuckoo, is taken through all the keys. The middle movement, of a naive beauty, makes use of a Russian melody that is full of melancholy, while the finale delights by its humorous features.
Henle's new Urtext edition benefits from a healthy source situation: the autograph of the sonata survives, and in 1810 Beethoven arranged for publication of two original editions, in London and Leipzig. As with our previous new editions, this one also stems from the successful editorial team of Norbert Gertsch and the great pianist Murray Perahia, who himself provides the fingering.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
