Bernstein: Art Songs and Arias - High Voice
Expected to ship in 1-2 weeks.
- Composer: Leonard Bernstein (1918-1990)
- Instrumentation (this edition): Piano, High Voice
- Originally for: Piano, Voice, High Voice, Piano 4-Hands, SATB Choir, Orchestra, Baritone, Mezzo Soprano, Opera
- Work Language: English
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 150
Description
These exciting collections feature new transcriptions, previously unpublished material, and some selections never before published separately from complete vocal scores. The High Voice edition features 29 songs, and the Medium/Low Voice edition has 34.
Contents:
- Afterthought
- from ARIAS AND BARCAROLLES: (Little Smary • Greeting)
- La Bonne Cuisine
- FOUR RECIPES: (Plum Pudding • Queues de Boeuf (Ox-Tails) • Tavouk Gueunksis • Civet a Toute Vitesse (Rabbit at Top Speed))
- I Hate Music
- A CYCLE OF FIVE KID SONGS: (I. My Name Is Barbara • II. Jupiter Has Seven Moons • III. I Hate Music! • IV. A Big Indian and a Little Indian • V. I'm a Person Too)
- My Twelve-Tone Melody
- Piccolo Serenata
- Silhouette (Galilee)
- from SONGFEST: (A Julia de Burgos • Music I Heard with You • Zizi's Lament)
- TWO LOVE SONGS: (Extinguish my eyes • When my soul touches yours)
- Glitter and Be Gay (Candide)
- from MASS: (A Simple Song • Thank You • The Word of the Lord • Hurry • World Without End • Our Father...I Go On)
- from A QUIET PLACE: (I've been afraid • Mommy, are you here (Dede's Aria))
Works:
- Afterthought
- Little Smary from Arias and Barcarolles (1988)
- Greeting from Arias and Barcarolles (1988)
- La Bonne Cuisine (1947)
- I Hate Music! (A Cycle of Five Kid Songs) (1943)
- My Twelve Tone Melody (1988)
- Piccola Serenata (1979)
- Silhouette (Galilee) (1951)
- A Julia de Burgos from Songfest: A Cycle of American Poems (1977)
- Music I Heard with You from Songfest: A Cycle of American Poems (1977)
- Zizi's Lament from Songfest: A Cycle of American Poems (1977)
- Two Love Songs (1949)
- Glitter and Be Gay from Candide (1989)
- A Simple Song from MASS (A Theatre Piece for Singers, Players, and Dancers) (1971)
- Thank You from MASS (A Theatre Piece for Singers, Players, and Dancers) (1971)
- The Word of the Lord from MASS (A Theatre Piece for Singers, Players, and Dancers) (1971)
- Hurry from MASS (A Theatre Piece for Singers, Players, and Dancers) (1971)
- World Without End from MASS (A Theatre Piece for Singers, Players, and Dancers) (1971)
- Our Father ... I Go On from MASS (A Theatre Piece for Singers, Players, and Dancers) (1971)
- I've been afraid from A Quiet Place (1983)
- Mommy, are you here (Dede's Aria) from A Quiet Place (1983)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
