Ensembles for Strings
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- Composers: Camille Saint-Saëns (1835-1921), Wolfgang Amadeus Mozart (1756-1791), Robert Schumann (1810-1856), Johannes Brahms (1833-1897), Ludwig van Beethoven (1770-1827), Jean-Philippe Rameau (1683-1764), Pyotr Ilyich Tchaikovsky (1840-1893), Felix Mendelssohn (1809-1847), Joseph Haydn (1732-1809), Cécile Chaminade (1857-1944), Edwin Lemare (1865-1934), Nikolai Rimsky-Korsakov (1844-1908)
- Editors: Harvey S. Whistler, Herman A. Hummel
- Instrumentation: String Ensemble
- UPC:
- Size: 9.1 x 12.0 inches
- Pages: 48
Description
String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Contents:
- Andante Cantabile, from String Quartet - Tchaikovsky
- Andantino - Lemare
- Aria Nobile, from Classic Symphony - Haydn
- Danse Macabre, from Symphonic Poem - Saint-Saëns
- The Happy Farmer Returning From Work, Op. 68, No. 10 - Schumann
- Le Tambourin, from Ballet Suite - Rameau
- Menuetto, from Symphony Concertante - Mozart
- Nobody Knows The Trouble I've Seen
- On Wings of Song (Auf Flugeln Des Gesanges) - Mendelssohn
- Rondo, Op. 51, No. 1 - Beethoven
- Scarf Dance, Op. 37, No. 3 - Chaminade
- Theme From Swan Lake - Tchaikovsky
- Viennese Refrain - Air
- Waltz, Op. 39, No. 15 - Brahms
- Young Prince - Rimsky-Korskov
- Young Princess - Rimsky-Korsakov
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.