Test Pieces for Orchestral Auditions - Cello
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- Instrumentation: Cello
- ISMN:
- Size: 9.1 x 11.9 inches
- Pages: 64
Description
Contents:
Symphony No. 5, Op. 67, 2nd movement (Beethoven)
Symphony No. 8, Op. 93, 3rd movement (Beethoven)
Symphony No. 9, Op. 125, 4th movement (Beethoven)
Coriolan Overture, Op. 62 (Beethoven)
Egmont Overture, Op. 84 (Beethoven)
Carmen, 1st Act Finale (Bizet)
Symphony No. 2, Op. 73, 1st Movement (Brahms)
Symphony No. 7, 1st movement (Bruckner)
Symphony ″Mathis der Mahler″, 3rd movement (Hindemith)
Sinfonische Metamorphosen nach Weber, 2nd movement (Hindemith)
Symphony No. 4, 1st movement (Mahler)
Marraige of Figaro Overture (Mozart)
Die verkaufte Braut Overture (Smetana)
Don Juan, Op. 20 (Strauss)
Symphony in C, 1st movement (Stravinsky)
Eugen Onegin, 1st Act No. 8 (Tchaikovsky)
Symphony No. 4, Op. 36, 1st and 2nd movements (Tchaikovsky)
Symphony No. 6, Op. 74, 2nd and 3rd movements (Tchaikovsky)
Rigoletto, 1st Act, No. 2 (Verdi)
La Traviata, 1st Act No. 2, 2nd Act No. 4 (Verdi)
Die Macht des Schiksals Overture (Verdi)
Aida, 3rd and 4th Acts (Verdi)
Missa da Requiem: Offertorium (Verdi)
Tannhäser: Overture, 2nd Act 4th Scene, 3rd Act Introduction and 1st Scene (Wagner)
Lohengrin, 3rd Act, 3rd Scene (Wagner)
Das Rheingold, 1st and 2nd Scenes (Wagner)
Die Walküre, 2nd Act, 4th Scene (Wagner)
Tritan and Isolde: 1st Act Introduction and 2nd Act, 2nd Scene (Wagner)
Solo Selections: Die Geschöpfe des Prometheus, Op. 43, No. 5 (Beethoven)
Concerto No. 2 for Piano and Orchesrta, Op. 83, 3rd movement (Brahms)
Hänsel and Gretel, 3rd Act, 3rd Scene (Humperdinck)
Zar and Zimmermann, 3rd Act (Lortz)
Die Entführun aus dem Serail, 2nd Act, Aria No. 11 (Mozart)
Don Giovanni, 1st Act, Aria No. 12 (Mozart)
Tosca, 3rd Act (Puccini)
William Tell Overture (Rossini)
Ariadne auf Naxos, Aria der Zerbinetta (Strauss)
Die Frau ohne Schatten, 2nd Act, 2nd Scene (Strauss)
Der Bürger als Edelmann, Op. 60, No. 11 (Strauss)
Dichter and Bauer Overture (Suppé)
Swan Lake, 2nd Act, No. 13 (Tchaikovsky)
Eugen Onegin, 1st Act, No. 10 (Tchaikovsky)
Dornröschen, No. 15 (Tchaikovsky)
Rigoletto, 2nd Act, No. 9 (Verdi)
Don Carlos, 3rd Act, No. 10 (Verdi)
Die Macht des Schiksals, 1st Act, No. 2 (Verdi)
Othello, 1st Act (Verdi)
Die Walküre, 1st Act, 1st Scene (Wagner)
Aufforderung zum Tanz (Weber)
Der Freischütz, 3rd Act, No. 12 (Weber)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
