Stevens: The Mulliner Book
Expected to ship in 1-2 weeks.
Shipping Policy- Binding: Hardcover
- ISMN:
- Size: 10.0 x 13.0 inches
- Pages: 312
Description
Weight: 2.055kg
Of an iconic status in the historiography of British Music, The Mulliner Book was published in a completely new edition in the 60th anniversary year of Musica Britannica. in A Major source of 16th-century keyboard music, it is also a compilation of music for cittern and gittern, plus a short vocal piece by Mulliner himself, available for the first time complete in one volume with a detailed commentary. The collection is also of importance for the light it sheds on musical tastes and attitudes at a time when the Reformation and its consequences were becoming embedded in the national psyche.
Any individual work from this volume is available in printed or digital (PDF) format on request ([email protected]); works currently available are linked below.
CONTENTS
| Composer | Title |
|---|---|
| ALLWOOD, Richard | Claro pascali gaudio (i) (No. 18 in Volume) |
| ALLWOOD, Richard | Claro pascali gaudio (ii) (No. 21 in Volume) |
| ALLWOOD, Richard | in nomine |
| ALLWOOD, Richard | Untitled (No. 42 in Volume) |
| ALLWOOD, Richard | Voluntarye, A |
| ANONYMOUS | As I deserve (No. 118 in Volume) |
| ANONYMOUS | As I deserve (No. 118a in Volume) |
| ANONYMOUS | bitter sweet, the (No. 114a in Volume) |
| ANONYMOUS | bytter sweete, the (No. 114 in Volume) |
| ANONYMOUS | [Chi passa] |
| ANONYMOUS | frenche galliarde, The |
| ANONYMOUS | [Galliard] |
| ANONYMOUS | [Galliard: Passamezzo] |
| ANONYMOUS | I smyle to see howe yow devyse |
| ANONYMOUS | La bounette |
| ANONYMOUS | La doune cella |
| ANONYMOUS | La shy myze |
| ANONYMOUS | Lyke as the chayned wyghte |
| ANONYMOUS | [Maiden's Song, The] |
| ANONYMOUS | Miserere |
| ANONYMOUS | My friends (No. 70a in Volume) |
| ANONYMOUS | My frindes (No. 70 in Volume) |
| ANONYMOUS | my hearte ys leiede on the londe |
| ANONYMOUS | O ye happy dames |
| ANONYMOUS | of wyse heades |
| ANONYMOUS | [Passamezzo antico] (No. 124 in Volume) |
| ANONYMOUS | [Passamezzo antico] (No. 128 in Volume) |
| ANONYMOUS | pauion, A |
| ANONYMOUS | pointe, A (No. 64 in Volume) |
| ANONYMOUS | poynte (No. 65 in Volume) |
| ANONYMOUS | psalmus. O Lorde turne not awaye |
| ANONYMOUS | que passe |
| ANONYMOUS | Reioyce in the lorde allwayes |
| ANONYMOUS | songue, A |
| ANONYMOUS | Synce thow art false to me |
| ANONYMOUS | Untitled (No. 12 in Volume) |
| ANONYMOUS | was not goode kinge salamon |
| ANONYMOUS | When Cressyde wente from troye |
| ANONYMOUS | Whose faythefull service |
| ANONYMOUS | wretched wandringe prince of troy, The |
| BLYTHEMAN, John | Alias eterne rerum (ii) |
| BLYTHEMAN, John | Christe qui lux |
| BLYTHEMAN, John (attrib.) | Christe redemptor omnium |
| BLYTHEMAN, John | Eterne rerum. Alias (iii) |
| BLYTHEMAN, John | Eterne rerum. Alias (iv) |
| BLYTHEMAN, John | Eterne rerum conditor (i) |
| BLYTHEMAN, John | Excellent Meane |
| BLYTHEMAN, John | [Felix namque] |
| BLYTHEMAN, John | Gloria tibi trinitas (i) |
| BLYTHEMAN, John | Gloria tibi trinitas (ii) |
| BLYTHEMAN, John | Gloria tibi trinitas (iii) |
| BLYTHEMAN, John | Gloria tibi trinitas (iv) |
| BLYTHEMAN, John | Gloria tibi trinitas (v) |
| BLYTHEMAN, John | Gloria tibi trinitas (vi) |
| BLYTHEMAN, John | Te Deum |
| BLYTHEMAN, John | Untitled (No. 27 in Volume) |
| CARLETON, Nicholas | [Audi benigne conditor] |
| CARLETON, Nicholas | Gloria tibi trinitas |
| CHURCHEYARDE, Thomas | Venetian galliarde |
| EDWARDS, Richard | in going to my naked bed (No. 81a in Volume) |
| EDWARDS, Richard | in goinge to my naked bedde (No. 81 in Volume) |
| EDWARDS, Richard | O The syllye man |
| EDWARDS, Richard (attrib.) | When grypinge griefes |
| FARRANT, Richard | Felix namque |
| FARRANT, Richard | Voluntarye |
| HEATHE | Christe qui lux es et dies |
| JOHNSON, Robert | Benedicam domino (No. 84 in Volume) |
| JOHNSON, Robert | Benedicam domino (No. 84a in Volume) |
| JOHNSON, Robert | Defiled is my name (No. 80a in Volume) |
| JOHNSON, Robert | Defyled is my name (No. 80 in Volume) |
| JOHNSON, Robert | in nomine (No. 45 in Volume) |
| JOHNSON, Robert | in nomine (No. 45a in Volume) |
| MULLINER, Thomas | hier that the Ceder tree, The (No. 1 in Appendix) |
| MULLINER, Thomas | Queene of scottes gallyard to the sitherne |
| MUNDY, William | Exurge Christe |
| MUNDY, William | Tres partes in una |
| NEWMAN | Fansy (No. 10a in Volume) |
| NEWMAN | fansye, A (No. 10 in Volume) |
| NEWMAN | pavyon, A |
| PARSONS, Robert | [Enforced by love and fear] No. 16 in Volume) |
| PARSONS, Robert | Enforced by love and fear (No. 16a in Volume) |
| REDFORD, John | Aurora lucis withe a meane |
| REDFORD, John | Christe qui lux (No. 31 in Volume) |
| REDFORD, John | Christe qui lux with a meane (No. 40 in Volume) |
| REDFORD, John | Eterne rerum conditor |
| REDFORD, John | Eterne rex altissime |
| REDFORD, John (attrib.) | [Ex more docti mystico] |
| REDFORD, John (attrib.) | [Exultet celum laudibus] (No. 6 in Volume) |
| REDFORD, John | Exultet celum laudibus withe a meane (No. 30 in Volume) |
| REDFORD, John | Glorificamus |
| REDFORD, John | Iam lucis orto sydere |
| REDFORD, John | Iste confessor withe a meane (No. 48 in Volume) |
| REDFORD, John | Iste confessor withe a meane (No. 63 in Volume) |
| REDFORD, John | Lucem tuam (i) (No. 37 in Volume) |
| REDFORD, John | Lucem tuam (ii) (No. 39 in Volume) |
| REDFORD, John | [Lucis creator optime] |
| REDFORD, John (attrib.) | [Magnificat Verse] |
| REDFORD, John | meane, A |
| REDFORD, John | Miserere (No. 7 in Volume) |
| REDFORD, John | Miserere withe a meane (No. 53 in Volume) |
| REDFORD, John | O lux on the fabourden |
| REDFORD, John | Salvator withe a meane (i) (No. 36 in Volume) |
| REDFORD, John | Salvator withe a meane (ii) (No. 72 in Volume) |
| REDFORD, John | Salvum fac |
| REDFORD, John | Sermone blando angelus |
| REDFORD, John | [Te lucis ante terminum] |
| REDFORD, John | [Te prophetarum] |
| REDFORD, John | Tu ad liberandum |
| REDFORD, John | [Venerandum] |
| REDFORD, John | Veni redemptor |
| REDFORD, John | Verbum supernum withe a meane |
| SHELBYE, William | Felix namque |
| SHELBYE, William | Miserere |
| SHEPPARD, John | I geve yow a new commanndement (No. 44 in Volume) |
| SHEPPARD, John | I give you a new commandment (No. 44a in Volume) |
| SHEPPARD, John | man is blest, The (No. 82a in Volume) |
| SHEPPARD, John | man is bleste, The (No. 82 in Volume) |
| SHEPPARD, John | O happy dames (No. 111a in Volume) |
| SHEPPARD, John | O happye Dames (No. 111 in Volume) |
| SHEPPARD, John | poynte, A |
| SHEPPARD, John | Quia fecit (No. 24 in Volume) |
| SHEPPARD, John | Quia fecit (No. 24a in Volume) |
| SHEPPARD, John | Versus (i) |
| SHEPPARD, John | Versus (ii) |
| SHEPPARD, John | Versus (iii) |
| SMITH, John Stafford | Untitled (No. 2 in Appendix) |
| TALLIS, Thomas | [Clarifica me pater I] (No. 99 in Volume) |
| TALLIS, Thomas | [Clarifica me pater II] (No. 101 in Volume) |
| TALLIS, Thomas | [Clarifíca me pater III] (No. 104 in Volume) |
| TALLIS, Thomas | Ecce tempus (i) (No. 100 in Volume) |
| TALLIS, Thomas | Ecce tempus ydoneum (ii) (No. 105 in Volume) |
| TALLIS, Thomas | Ex more docti mistico |
| TALLIS, Thomas | ffonde youthe is a bubble (No. 25 in Volume) |
| TALLIS, Thomas | Fond youth is a bubble (No. 25b in Volume) |
| TALLIS, Thomas | Iam lucis orto sydere |
| TALLIS, Thomas | Iste confessor |
| TALLIS, Thomas | Lyke as the dolefull dove |
| TALLIS, Thomas | Natus est nobis |
| TALLIS, Thomas | O ye tender babes |
| TALLIS, Thomas | Per haec nos (No. 119 in Volume) |
| TALLIS, Thomas | Per hec nos (No. 119a in Volume) |
| TALLIS, Thomas | poyncte, A |
| TALLIS, Thomas | Purge me, O Lord (No. 25a in Volume) |
| TALLIS, Thomas | Remember not, O Lord God (No. 43a in Volume) |
| TALLIS, Thomas | Remember not, O Lord God (No. 43b in Volume) |
| TALLIS, Thomas | Remember not o lorde (No. 43 in Volume) |
| TALLIS, Thomas | Veni redemptor (i) (No. 97 in Volume) |
| TALLIS, Thomas | Veni redemptor (ii) (No. 102 in Volume) |
| TALLIS, Thomas | When shall my sorowfull sygheinge (No. 85 in Vol.) |
| TALLIS, Thomas | When shall my sorrowful sighing slack? (No. 85a in Vol.) |
| TAVERNER, John | in nomine (No. 35 in Volume) |
| TAVERNER, John | in nomine (No. 35a in Volume) |
| TYE, Christopher | Amavit eum dominus |
| TYE, Christopher | I lift my heart |
| TYE, Christopher | poynte, A (No. 68 in Volume) |
| TYE, Christopher | poynte, A (No. 69 in Volume) |
| TYE, Christopher | [Praise ye the Lord, ye children] (No. 68a in Volume) |
| TYE, Christopher | [Praise ye the Lord, ye children] (No. 69a in Volume) |
| TYE, Christopher | [When that the fifty day was come] (No. 112 in Volume) |
| TYE, Christopher | When that the fifty day was come (No. 112a in Volume) |
| WHITE, Robert | in nomine (No. 87a in Volume) |
| WHYTE, Robert | in nomine (No. 87 in Volume) |
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.