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Allen Shawn

Shawn: Episodes

$ 32.00
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American Composers Alliance (ACA)  |  SKU: ACA-SHWN-022  |  Código de barras: 9790600233069
  • Composer: Allen Shawn (1948-)
  • Instrumentation: Cello, Piano
  • Work: Episodes (1994)
  • ISMN: 9790600233069
  • Size: 8.9 x 12.0 inches

Description

Composer's Note:

Episodes for Cello and Piano was composed in 1994 and was dedicated to cellist Maxine Neuman and her husband, Reinhard Humburg. The six movements are arranged in a palindrome pattern according to their characters. The opening is an ironic, stumbling March that sets the stage for the rest of the work, by merging angular, twelve-tone writing with fragments of a tonal melody that returns in several of the other movements. The second movement is a brief, good-humored waltz, with contrapuntal interplay between the instruments. The Adagio which follows is startlingly introspective and dark. The fourth movement, Vivo, is a boisterous, ebullient dance, echoing the tonality of the earlier Waltz. A Song Without Words follows that is intimate and eventually intense, reaching the highest register of the cello. Episodes ends with a dry, concise epilogue reprising some of the opening March both forwards and backwards.

American Composers Alliance (ACA)

Shawn: Episodes

$ 32.00

Description

Composer's Note:

Episodes for Cello and Piano was composed in 1994 and was dedicated to cellist Maxine Neuman and her husband, Reinhard Humburg. The six movements are arranged in a palindrome pattern according to their characters. The opening is an ironic, stumbling March that sets the stage for the rest of the work, by merging angular, twelve-tone writing with fragments of a tonal melody that returns in several of the other movements. The second movement is a brief, good-humored waltz, with contrapuntal interplay between the instruments. The Adagio which follows is startlingly introspective and dark. The fourth movement, Vivo, is a boisterous, ebullient dance, echoing the tonality of the earlier Waltz. A Song Without Words follows that is intimate and eventually intense, reaching the highest register of the cello. Episodes ends with a dry, concise epilogue reprising some of the opening March both forwards and backwards.

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