Padova Urbs Organi
7 Centuries of Organ Music
Expected to ship in 2-3 weeks.
Shipping Policy- Instrumentation: Organ
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Description
26 compositions by Paduan composers
Contents:
- Anonimo del sec. XIV (Rolando da Casale): Amen
- Annibale Padovano (1527-1575): Toccata del Primo Tono
- Bertoldo Sperindio (1529c.–1570): Petit fleur
- Giovanni Maria Radino (1573-1607): Padoana Seconda
- Giovanni Battista Bassani (1650c.-1716): Sonata IV del Bassani
- Giuseppe Tartini (1692-1770): Concerto per Violino in Do maggiore D9 Accomodato in Fa maggiore per il cembalo (o organo) da Leonhard Frischmuth (+1754)
- Giovanni Benedetto Platti (1697-1763): Sonata in La Minore, Op. IV n. 4
- Giuseppe Antonio Paganelli (1710-1763c.): Aria II pro Organo et Cimbalo
- Ferdinando Turrini (1745-1829): Fugue per organo
- Giulio Bajamonti (1744-1800): Sonata per organo
- Domenico Cimoso (1780-1850): _ Pastorale per organo_
- Gaetano Valerj (1762-1822): Sonata VI in Fa maggiore
- Ripieno per organo
- Antonio Nardetti (dopo 1781-1859): Sonata n. 1 in Re Minore per organo
- Antonio Maria Costantini (1789-1854): Andante in Fa maggiore
- Luigi Bottazzo (1845-1924): Allegro e Adagio dalla Sonata in Fa Minore
- Oreste Ravanello (1871-1938): Fantaisie, Op. 31
- Christus resurrexit! Inno di gloria, Op. 50 n. 6
- Lorenzo Perosi (1872-1956): Preludio per organo (Tortona, 7 novembre 1890)
- Pietro Branchina (1876-1953): Elegia, Op. 91
- Bruno Pasut (1914-2006): Pastorale III, Op. 38
- Mario Voltolina (1922-1992): Trittico per organo
- Wolfango Dalla Vecchia (1923-1994): Sonata sopra «Sancta Maria ora pro nobis» di Claudio Monteverdi
- Carlo De Pirro (1956-2008): Nel Tempo Meccanico. Per organo antico
- Alberto Sabatini (1970): Variazioni sul Victimæ Paschali per grand'organo (1998)
- Stefano Bellon (1956): Tonale. Commentario IV. Divertimento per organo (2025)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
