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Cecilia McDowall

McDowall: Rain, Steam and Speed

$ 42.95
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Oxford University Press  |  SKU: 9780193407787  |  Código de barras: 9780193407787
  • Composer: Cecilia McDowall (1951-)
  • Format: Full Score
  • Instrumentation: Orchestra
  • Work: Rain, Steam and Speed (2006)
  • ISBN: 9780193407787
  • Size: 9.5 x 13.0 inches
  • Pages: 52

Description

Turner's painting, Rain, Steam and Speed, The Great Western Railway (1844) depicts a broad gauge engine steaming across Maidenhead Viaduct, one of Brunel's greatest achievements. The painting offers several perspectives to the viewer: a dark diagonal of bridge and train, crossing the Thames, intersects visions of tranquillity. To the left, far below, a fisherman sits in his skiff and to the right of the picture a ploughman turns his furrow. Ahead of the train a startled hare, the swiftest of creatures, leaps across the track.

In writing Rain, Steam and Speed, rather than follow a programmatic development of the title I have tried to convey a feeling of wide open spaces and pastoral repose in the opening section. Even the hare (a pair of clarinets) makes a playful appearance. in Turner's painting the ‘iron horse' emerges from the distance, pressing powerfully forwards and so, from out of the calm, a clear rhythmic motif, pianissimo at first, rattles to a full orchestral crescendo, then gradually disappears from view.

-Cecilia McDowall

Oxford University Press

McDowall: Rain, Steam and Speed

$ 42.95

Description

Turner's painting, Rain, Steam and Speed, The Great Western Railway (1844) depicts a broad gauge engine steaming across Maidenhead Viaduct, one of Brunel's greatest achievements. The painting offers several perspectives to the viewer: a dark diagonal of bridge and train, crossing the Thames, intersects visions of tranquillity. To the left, far below, a fisherman sits in his skiff and to the right of the picture a ploughman turns his furrow. Ahead of the train a startled hare, the swiftest of creatures, leaps across the track.

In writing Rain, Steam and Speed, rather than follow a programmatic development of the title I have tried to convey a feeling of wide open spaces and pastoral repose in the opening section. Even the hare (a pair of clarinets) makes a playful appearance. in Turner's painting the ‘iron horse' emerges from the distance, pressing powerfully forwards and so, from out of the calm, a clear rhythmic motif, pianissimo at first, rattles to a full orchestral crescendo, then gradually disappears from view.

-Cecilia McDowall

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