Not finding what you're looking for? Just email us at hello@ficksmusic.com or call us at +1 215-592-1681

John McDonald

McDonald: Dependencies, Op. 442

$ 19.50
Los gastos de envío se calcularán al momento de pagar.

Expected to ship in 1-2 weeks.

American Composers Alliance (ACA)  |  SKU: ACA-MCDJ-026
  • Composer: John McDonald (1959-)
  • Instrumentation: Piano, Flute
  • Work: Dependencies, Op. 442
  • Size: 9.0 x 12.0 inches

Description

Composer's Note:

Dependencies is dedicated to the complete musician, Su Lian Tan; a composer, flutist, and singer in one!

My first meeting and inspiring conversation with Su in 2007 led to a collaboration that has yielded several works, one of which is this "brace of song responses" for flute and piano. As we talked about the lieder Su had sung or appreciated, and that I had accompanied time and again, I started devising a short succession of "three Schuberts" and "three Schumanns" for the two of us to play. Dependent on both these composers' languages as well as the "co-dependent" relationship situations found in the poetry they set, the expressive mini-world of the resulting six continuously linked vignettes comes squarely from the ambience of 19th-century German song.

The six vignettes are:

  1. After Schubert "Du bist die Ruh': Quasi Adagio
  2. After Schubert "Das Fischermädchen': Molto Animato
  3. After Schubert "Der Doppelgänger': Molto Adagio
  4. After Schumann "Ich grolle nicht': Largamente
  5. After Schumann "Mondnacht': Hovering Hypnotically
  6. After Schumann "Nun hast du mir den ersten Schmerz getan': Quasi Larghetto
American Composers Alliance (ACA)

McDonald: Dependencies, Op. 442

$ 19.50

Description

Composer's Note:

Dependencies is dedicated to the complete musician, Su Lian Tan; a composer, flutist, and singer in one!

My first meeting and inspiring conversation with Su in 2007 led to a collaboration that has yielded several works, one of which is this "brace of song responses" for flute and piano. As we talked about the lieder Su had sung or appreciated, and that I had accompanied time and again, I started devising a short succession of "three Schuberts" and "three Schumanns" for the two of us to play. Dependent on both these composers' languages as well as the "co-dependent" relationship situations found in the poetry they set, the expressive mini-world of the resulting six continuously linked vignettes comes squarely from the ambience of 19th-century German song.

The six vignettes are:

  1. After Schubert "Du bist die Ruh': Quasi Adagio
  2. After Schubert "Das Fischermädchen': Molto Animato
  3. After Schubert "Der Doppelgänger': Molto Adagio
  4. After Schumann "Ich grolle nicht': Largamente
  5. After Schumann "Mondnacht': Hovering Hypnotically
  6. After Schumann "Nun hast du mir den ersten Schmerz getan': Quasi Larghetto
Ver producto